Shaukat Ali's ' "Kithe Takre Tay Haal" was released on its scheduled release date, January 1, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Challa by Shaukat Ali. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Kithe Takre Tay Haal is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Kithe Takre Tay Haal by Shaukat Ali is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Man Bhi Kedi Piren Chari Ahiyan | Sanam Marvi | F Major | 9 | 7B | 188 BPM | ||
| Ishaq Bullay Nu | Sain Zahoor Ahmed | F♯ Major | 7 | 2B | 78 BPM | ||
| Mian Muhammad Bakhsh Kalam | Shaukat Ali | D♭ Major | 5 | 3B | 88 BPM | ||
| Teri Chunni De Sitare - From Teri Chunni De Sitare | Alaap (Channi Singh) | D♭ Major | 9 | 3B | 95 BPM | ||
| Peeni Pendi Ay | Badar Ali Khan | F Major | 5 | 7B | 163 BPM | ||
| Das Ni Sharab Diye Boatle | Ghulam Ali | F Major | 3 | 7B | 120 BPM | ||
| Kagaz Di Beri | Shaukat Ali | B♭ Minor | 4 | 3A | 138 BPM | ||
| Lilan Godi Pyari | Prem Shankar Jaat | E♭ Minor | 7 | 2A | 100 BPM | ||
| Pahuncha De Saiya Mayke Bundeli | Malti Singh Parmar, Deshraj Patairiya | E♭ Major | 8 | 5B | 80 BPM | ||
| Ghalti Wadi Kitoo Se | Ahmed Nawaz Cheena | A Minor | 6 | 8A | 110 BPM | ||
| Bol Mitti Dian | Mukhtar Sahota | E Minor | 5 | 9A | 136 BPM | ||
| Aye Mohabbat Tera Jawab Nai | Tasveer khanam, Shaukat Ali | G Major | 5 | 9B | 90 BPM | ||
| Kyon Door Door Rahende Ho | Shaukat Ali | C Minor | 6 | 5A | 171 BPM | ||
| Hal Ta Kehn Maqade Me Halon | Rajab Faqeer | E♭ Major | 7 | 5B | 158 BPM | ||
| Dukhan Lagi Chhati Chul Gai Karyai ( Bundeli Song ) | Neeraj Disoriya, Bablu Rangila | C Major | 9 | 8B | 144 BPM | ||
| JIs Tan Lage So Tan Jane | Baba Gulab Singh Ji | E Major | 4 | 12B | 79 BPM | ||
| Sohnyan da Sardar | Nadeem Abbas Khan Lonay Wala | B♭ Minor | 9 | 3A | 100 BPM | ||
| Nazaka Jenai | Haroon Bacha | C Minor | 5 | 5A | 120 BPM | ||
| Charkhe Di Ghook | Master Saleem | B♭ Minor | 8 | 3A | 176 BPM | ||
| Pati Hai Mero Neech Gawar | Brijesh Shastri | B Major | 6 | 1B | 103 BPM | ||
| Jugni | Sain Zahoor Ahmed | A♭ Major | 8 | 4B | 176 BPM | ||
| Us Bewafa Meku | Zeeshan Khan Rokhri | C Minor | 8 | 5A | 84 BPM | ||
| Sohna Mera Ji Dhola (Boliyan) | Nadeem Abbas Lunewala | F Minor | 9 | 4A | 135 BPM | ||
| Mera Dil Sarda | Naseem Begum, Shaukat Ali | B Major | 4 | 1B | 87 BPM | ||
| Wajan Mariyan Bulaya | Alam Lohar | F Major | 8 | 7B | 95 BPM |