Magnificat: III. Quia fecit mihi magna by Rinaldo Alessandrini, Concerto Italiano, Pietro Paolo Bencini Song Details

"Magnificat: III. Quia fecit mihi magna" by Rinaldo Alessandrini, Concerto Italiano, Pietro Paolo Bencini had its release date on May 9, 2011. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Per la Vergine Maria (Bencini, Soler, Stravinsky...)". In this album, this song's track order is #4. Based on our statistics, Magnificat: III. Quia fecit mihi magna's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Magnificat: III. Quia fecit mihi magna by Rinaldo Alessandrini, Concerto Italiano, Pietro Paolo Bencini having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Music Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -19.338 dB
Acousticness: 99%
Danceability: 15%
Energy: 12%
Instrumentalness: 0%
Liveness: 11%
Loudness: 68%
Speechiness: 4%
Valence: 4%

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