"The River Crossing" by Gabriel Yared had its release date on 1991. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "The Lover (Original Motion Picture Soundtrack) [Full version]". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Based on our statistics, The River Crossing's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The River Crossing by Gabriel Yared having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ripley - Instrumental | Harry Rabinowitz | D Minor | 3 | 7A | 112 BPM | ||
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| Love Theme | Vangelis | D♭ Major | 1 | 3B | 110 BPM | ||
| MELODIA INFINITESIMALE | FRANK LAGANA' SICARI | F Major | 2 | 7B | 74 BPM | ||
| Never Again | Guy Farley | F Major | 1 | 7B | 146 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| A Time for Us (From "Romeo and Juliette") | Nino Rota, Angèle Dubeau, La Pietà | G Minor | 1 | 6A | 88 BPM | ||
| Pierre et Hélène | Philippe Sarde | A Minor | 0 | 8A | 140 BPM | ||
| Les week-ends | Grégoire Hetzel | B♭ Minor | 1 | 3A | 130 BPM | ||
| Still Life | Elliot Goldenthal | G Minor | 0 | 6A | 74 BPM | ||
| Light (From "The Thin Red Line" Soundtrack) | Hans Zimmer, Gavin Greenaway | C Minor | 1 | 5A | 90 BPM | ||
| The Conversation (Main Theme from "The Conversation") | David Shire | D Minor | 1 | 7A | 73 BPM | ||
| Claudia's Theme - Version Eight | Lennie Niehaus, Clint Eastwood | F Major | 0 | 7B | 81 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| Is That What Everybody Wants | Cliff Martinez | A Minor | 2 | 8A | 144 BPM | ||
| Memorie del passato | Andrea Guerra | D Minor | 0 | 7A | 170 BPM | ||
| Grace Alone | Alex Heffes | C Minor | 1 | 5A | 79 BPM | ||
| Hungry Piano | Nicola Piovani | G Major | 1 | 9B | 73 BPM | ||
| Deep Blue Dream | Éric Serra | E Major | 5 | 12B | 81 BPM | ||
| La Chanson D'Hélène - Instrumental Version | Philippe Sarde | A Minor | 3 | 8A | 99 BPM | ||
| Alice Studies | Guy Farley | G Minor | 1 | 6A | 86 BPM | ||
| Le piano d'Isabelle | Philippe Rombi | F Minor | 0 | 4A | 110 BPM | ||
| Morning Passages | Philip Glass | E♭ Major | 1 | 5B | 106 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| Tell Me About Catherine | Gabriel Yared | E Minor | 0 | 9A | 76 BPM |