Caribbean Jazz Project's 'Como Un Bolero' had a release date set for January 1, 1995. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. There are a total of 11 in the song's album "The Caribbean Jazz Project". In this album, this song's track order is #4. The popularity of Como Un Bolero is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Como Un Bolero by Caribbean Jazz Project having a BPM of 184 with a half-time of 92 BPM and a double-time of 368 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Great Times | Rumbantela | A♭ Major | 9 | 4B | 119 BPM | ||
| Mis Amigos E.G.C | Charlie Palmieri | C Major | 8 | 8B | 116 BPM | ||
| Amanacer | Jazz On The Latin Side All Stars, Sal Cracchiolo, Francisco Torres, Joe Rotondi, Francisco Aguabella, Marvin "smitty" Smith, Danilo Lozano | A Minor | 7 | 8A | 131 BPM | ||
| Corta La Caña | Bongo-Logic | B♭ Major | 3 | 6B | 132 BPM | ||
| Speak No Evil | Jimmy Bosch | F Minor | 7 | 4A | 117 BPM | ||
| Southern Side | Ray Obiedo, David K. Mathews, Karl Perazzo, Roger Glenn | G Minor | 5 | 6A | 125 BPM | ||
| Esta Noche | Pete Escovedo | B Minor | 8 | 10A | 105 BPM | ||
| Home Cookin' | Hilton Ruiz | F Minor | 6 | 4A | 146 BPM | ||
| Panamá | Billy Cobham, Asere | F Minor | 5 | 4A | 105 BPM | ||
| Plena Con Sabor | Spanish Harlem Orchestra | D Major | 8 | 10B | 128 BPM | ||
| Historia de un Timbal | Son del Barrio Jazz Quintet | A Minor | 6 | 8A | 106 BPM | ||
| Raices Jam | Tony Succar, Pablo Gil, Raices Jazz Orchestra | F Major | 7 | 7B | 106 BPM | ||
| En Mi Viejo San Juan | Giovanni Hidalgo | C Major | 2 | 8B | 78 BPM | ||
| Principle Travel Serenade | Danny Sleath | B♭ Major | 2 | 6B | 150 BPM | ||
| In Town (feat. Otmaro Ruiz, John Peńa, Lorenzo Ferrero & Ramón Stagnaro) | Alex Acuña, Otmaro Ruiz, Ramón Stagnaro, Lorenzo Ferrero, John Peńa | E Major | 4 | 12B | 95 BPM | ||
| Better Days Ahead | Pat Metheny Group | F♯ Major | 7 | 2B | 88 BPM | ||
| Minor Mood | Caribbean Jazz Project | E♭ Major | 9 | 5B | 108 BPM | ||
| Candombe para Salgan | EY CANDOMBE | D♭ Major | 5 | 3B | 93 BPM | ||
| Cuborleans | ¡Cubanismo! | F Minor | 9 | 4A | 93 BPM | ||
| I Can't Stop Loving You | Diane Schuur, Caribbean Jazz Project | F Major | 3 | 7B | 115 BPM | ||
| That's All There Is To It | Charlie Sepulveda | F Minor | 5 | 4A | 96 BPM | ||
| El Jamaiquino | Cuban Jazz Legends, Tata Güines, Changuito, Peruchin Nieto | F Major | 8 | 7B | 173 BPM | ||
| Nostalgias | EY CANDOMBE | A♭ Major | 6 | 4B | 100 BPM | ||
| ぶろぐようのおんがく(ぼさのば3) | Angeles Pohlson | G Major | 10 | 9B | 94 BPM | ||
| Bacchanal | Andy Narell | D Major | 8 | 10B | 120 BPM |