Crossroads - Instrumental by Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra Song Details

"Crossroads - Instrumental" by Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra had its release date on January 3, 2000. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Titus - Original Motion Picture Soundtrack". In this album, this song's track order is #7. In terms of popularity, Crossroads - Instrumental is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Crossroads - Instrumental by Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Music Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -22.614 dB
Acousticness: 86%
Danceability: 16%
Energy: 8%
Instrumentalness: 91%
Liveness: 19%
Loudness: 62%
Speechiness: 5%
Valence: 3%

Recommendations

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Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla)	Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra	F Major	1	7B	190 BPM
Silenzio cantatore	Gaetana Lama, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello	E Minor	2	9A	83 BPM
Tosca, SC 69 / Act 3: "E lucevan le stelle"	Giacomo Puccini, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes	B Minor	1	10A	66 BPM
L'elisir d'Amor: Una furtiva lagrima	Carlo Bergonzi	F Minor	3	4A	63 BPM
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Roméo et Juliette, 'Romeo and Juliet' (1997 Digital Remaster): Je veux vivre (Waltz)	Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise	F Major	2	7B	81 BPM
Mattinata	José Carreras	E Major	3	12B	152 BPM
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La Taberna del Puerto / Act 2: "No puede ser"	Pablo Sorozábal, Plácido Domingo, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino	F♯ Major	6	2B	89 BPM
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour"	Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge	D Major	1	10B	82 BPM
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