On July 14, 2017, the song "Runaway (Medium Allegro 1)" was released by Charles Mathews. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Runaway (Medium Allegro 1)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Pop Hits for Ballet Class, Vol. 1". In this album, this song's track order is #29. Furthermore, we believe that the track originated from United States. Based on our statistics, Runaway (Medium Allegro 1)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Runaway (Medium Allegro 1) by Charles Mathews having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tomorrow (From "Annie") Stretch | Ray Lindsey | F Major | 1 | 7B | 75 BPM | ||
| Love Really Hurts Without You (Glissé 1) | Charles Mathews | A Major | 4 | 11B | 204 BPM | ||
| Etudes: Ballerina Variation | Carl Czerny, Charles Mathews | C Major | 2 | 8B | 103 BPM | ||
| Music for Ballet Class, Series 1: Battements tendus 2 | Massimiliano Greco | B Major | 3 | 1B | 85 BPM | ||
| Pointe - Pirouettes | Jacques Offenbach, Charles Mathews | A Minor | 1 | 8A | 95 BPM | ||
| Plie 6/8 64 Counts | Marina Stolyar | F Major | 0 | 7B | 109 BPM | ||
| Pirouette: Yesterday | Trisha Wolf | G Major | 2 | 9B | 140 BPM | ||
| Africa (Rondes De Jambe) | Joey McNamara | E Major | 2 | 12B | 115 BPM | ||
| Rond De Jambe: Breakaway | Ian Howells Music | C Major | 0 | 8B | 127 BPM | ||
| People Are Strange (Tendu 1) | Charles Mathews | E Minor | 3 | 9A | 109 BPM | ||
| Battements frappés (J. Strauss II Op.214) | Youngsin Sarah Choi | F Major | 2 | 7B | 90 BPM | ||
| When I Need You (Pirouettes en Diagonal 2) | Charles Mathews | G Major | 2 | 9B | 141 BPM | ||
| Don Giovanni, K. 527, Act I: "Là ci darem la mano" (Battement Tendu) | Wolfgang Amadeus Mozart, Charles Mathews | C Major | 5 | 8B | 175 BPM | ||
| Galop - Coda dall'Operetta "Cin - ci - la": Cin - ci - la | Virgilio Ranzato, Alessio De Franzoni | C Major | 2 | 8B | 119 BPM | ||
| Warm Up: Moonlight Cocktail | Trisha Wolf | D Major | 4 | 10B | 135 BPM | ||
| Medium Allegro Shadow Waltz | Matthew J Gregory | F Major | 2 | 7B | 90 BPM | ||
| Adagio 2 3x4 | Jorge L. Martínez | G Major | 4 | 9B | 140 BPM | ||
| Slow Tendu: A Whole New World (From "Aladdin") | Ray Lindsey, Chelsea Viste | F Major | 0 | 7B | 68 BPM | ||
| Music for Ballet Class, Series 1: Battement jeté | Massimiliano Greco | B Major | 3 | 1B | 85 BPM | ||
| Plié: Go the Distance (From "Hercules") [24x8] | Ray Lindsey, Chelsea Viste | D Major | 0 | 10B | 70 BPM | ||
| Classical Walks 3/4 | Richard Maddock | C Major | 2 | 8B | 176 BPM | ||
| Perito Per Aria | Mariana Ghiaccio | F Major | 1 | 7B | 112 BPM | ||
| Stretching At the Barre | Charles Mathews | E Minor | 1 | 9A | 79 BPM | ||
| Rond De Jambe & Port De Bras (3/4) | Marina Surgan | D Major | 4 | 10B | 88 BPM | ||
| Save the Last Dance (Fondu) | Joey McNamara | E♭ Major | 1 | 5B | 99 BPM |