Giovanni da Firenze, La Reverdie's 'O tu chara sciença' had a release date set for January 1, 1993. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. O tu chara sciença's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "O tu chara sciença: La musique dans la pensée médiévale". In this album, this song's track order is #8. In terms of popularity, O tu chara sciença is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O tu chara sciença by Giovanni da Firenze, La Reverdie having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Agnus dei: Omnipotens eterne | Anonymous, Anonymous 4 | C Major | 0 | 8B | 112 BPM | ||
| Canticum canticorum I | Ars Poliphonica | B Major | 1 | 1B | 74 BPM | ||
| The Service of the Furnace: II. First Canticle (Ode 7) | Xenos Korones, Cappella Romana, Alexander Lingas | F Major | 2 | 7B | 64 BPM | ||
| Ricercare | Francesco Spinacino, Circa 1500, Emily Van Evera, Nancy Hadden, Robert Meunier, Christopher Wilson, Erin Headley | C Minor | 0 | 5A | 94 BPM | ||
| Duo Agnus Dei | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 126 BPM | ||
| Nivers: Pange lingua gloriosi | Guillaume-Gabriel Nivers, Jean Rondeau, Lucile Richardot | D♭ Major | 1 | 3B | 85 BPM | ||
| Ad Matutinum: Lectio. Itaque convenit | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Most Holy mother of God | Ars Poliphonica | B Major | 1 | 1B | 74 BPM | ||
| Missa in A Major: IV. Sanctus - Benedictus | Miklós Kocsár, Cantemus Children Choir, Pro Musica, Szabó Dénes | D♭ Major | 1 | 3B | 108 BPM | ||
| Vos me matastes | Miguel de Fuenllana, Shirley Rumsey | D Minor | 0 | 7A | 112 BPM | ||
| Memor esto verbi tui, LV 832 | Orlande de Lassus, Magnificat, Philip Cave | E Major | 1 | 12B | 77 BPM | ||
| Sixième livre de danseries: Pavane Passemaize, Passemèzes d’Italie & Gaillarde | Claude Gervaise, Pierre Phalèse, Into the Winds | B♭ Major | 0 | 6B | 81 BPM | ||
| O virga ac diadema | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin | F Minor | 0 | 4A | 95 BPM | ||
| Obras de musica para tecla, arpa y vihuela: No. 79, Diferencias sobre "El Canto del Caballero" - Version for Consort of 4 Viols and Harp | Antonio de Cabezón, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 119 BPM | ||
| Ave Maris Stella: I | Emily Dickens, Apollo5 | D Major | 0 | 10B | 63 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
| Ir alten weib un Frewt ew | Oswald von Wolkenstein, La Reverdie | E Minor | 8 | 9A | 130 BPM | ||
| Vox in Tenebris | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | D Minor | 8 | 7A | 123 BPM | ||
| O perlaro gentil | Giovanni da Firenze, Ensemble of the Fourteenth Century | D Major | 0 | 10B | 131 BPM | ||
| Miserere: II. Amplius lavame ; Quoniam iniquitatem meam - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | E Minor | 0 | 9A | 69 BPM | ||
| Quinto Ballo detto lo Ninfe di Senna: Canario | Lorenzo Allegri, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Karitas habundat | Hildegard von Bingen, Matelda Viola, Stefano Sabene, Schola Romana Ensemble | G Major | 2 | 9B | 93 BPM | ||
| Der Schwan | Diederik van der Laag, Sophia Chamber Choir, Oleksii Shamrytskyi | F Minor | 1 | 4A | 73 BPM | ||
| Wolauff, Gesell! | Oswald von Wolkenstein, La Reverdie | C Major | 2 | 8B | 114 BPM | ||
| Ave corpus sanctum gloriosi Stefani / Adolescens protomartir | Marchettus de Padua, La Reverdie, Claudia Caffagni | C Major | 1 | 8B | 138 BPM |