"Gayane, Act III Scene 6 "Conscience": No. 37, Young Highlanders' Dance" by Aram Khachaturian, Jansug Kakhidze, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks had its release date on January 1, 2009. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Aram Khachaturian, Jansug Kakhidze, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks's "Khachaturian: Gayane" album is number 13 out of 48. On top of that, Russia appears to be the country where this track was created. In terms of popularity, Gayane, Act III Scene 6 "Conscience": No. 37, Young Highlanders' Dance is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gayane, Act III Scene 6 "Conscience": No. 37, Young Highlanders' Dance by Aram Khachaturian, Jansug Kakhidze, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | D♭ Major | 0 | 3B | 79 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Bernard Haitink | E Minor | 2 | 9A | 96 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | G Minor | 2 | 6A | 115 BPM | ||
| Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 70 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Prélude to the Afternoon of a Faun | Claude Debussy, Hanspeter Gmür, Nuremberg Symphony Orchestra | C Major | 9 | 8B | 85 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
| Swan Lake - Waltz | London Philharmonic Orchestra | A Major | 1 | 11B | 76 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
| Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen, Noreen Polera | G Minor | 1 | 6A | 75 BPM | ||
| Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante | Alexander Borodin, Borodin Quartet | F Major | 3 | 7B | 96 BPM | ||
| Aus aller Herren Landern (From Foreign Lands), Op. 23: V. Polish: Allegro con fuoco | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Major | 1 | 6B | 82 BPM | ||
| A Night On The Bare Mountain | Modest Mussorgsky, Orchestre Symphonique de Montréal, Kent Nagano | D Major | 1 | 10B | 102 BPM | ||
| Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
| 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
| Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | B♭ Minor | 5 | 3A | 88 BPM |