"Driving Sound #2" by 頭文字D had its release date on July 11, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 頭文字D Final Best Collection, so we believe that "Driving Sound #2" is a single. Driving Sound #2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Driving Sound #2 by 頭文字D is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Saiyajin Are Coming : Dbz 1st Movment | Akatsuki no Team, G-Saiyaman | C Major | 0 | 8B | 81 BPM | ||
| Give Up or Keep Trying Maxi5 | Yuzo Koshiro | B Minor | 9 | 10A | 140 BPM | ||
| 伊達政宗のテーマ | T’s MUSIC | D Major | 10 | 10B | 104 BPM | ||
| Chase for Dream - 夢現Ver. | Tatsuyuki Kobayashi | B Minor | 10 | 10A | 95 BPM | ||
| 競馬ファンファーレ/G1〜特別〜重賞〜一般(東京 中山 有馬記念) | サウンドワークス | G Major | 3 | 9B | 167 BPM | ||
| 龍馬伝 | Naoki Sato | D♭ Major | 7 | 3B | 112 BPM | ||
| Hyper Dancer ~HYPER BIG BONUS ①~ | Sammy Sound Team | F♯ Minor | 10 | 11A | 174 BPM | ||
| Clash With Evil Personified | Norihiko Hibino | F Minor | 8 | 4A | 160 BPM | ||
| フォーゼ変身 | 鳴瀬 シュウヘイ | C Major | 10 | 8B | 150 BPM | ||
| BLACK OUT | Overload | A Minor | 9 | 8A | 158 BPM | ||
| R. A. P. Jams | Akihiko Matsumoto | D Major | 8 | 10B | 141 BPM | ||
| 任務遂行 | 大谷幸 | E Major | 6 | 12B | 154 BPM | ||
| 災害発生 | 羽岡 佳 | G Major | 10 | 9B | 155 BPM | ||
| ターニングポイント | Megumi Ohashi | E♭ Major | 6 | 5B | 154 BPM | ||
| Sweet Sixteen Girl | Candy Taylor | E Major | 10 | 12B | 160 BPM | ||
| ライク・ア・ヴァージン | VIRGINELLE | A Major | 10 | 11B | 148 BPM | ||
| カラクリ防御システム、発動! | 岩崎文紀 | C Minor | 6 | 5A | 112 BPM | ||
| Far away - ayu-ro Extended Mix | Ayumi Hamasaki | F Major | 10 | 7B | 152 BPM | ||
| NEXT LEVEL - Instrumental with chorus | YU-KI | C Major | 10 | 8B | 172 BPM | ||
| Revolution | Fastway | C Minor | 9 | 5A | 155 BPM | ||
| 小役パート 通常モード | Sammy Sound Team | B♭ Minor | 6 | 3A | 140 BPM | ||
| Pamela | MATT LAND | F♯ Minor | 10 | 11A | 155 BPM | ||
| Invade Spider ~ORT2~ | 芳賀 敬太 | A♭ Minor | 7 | 1A | 110 BPM | ||
| セルリアン | Akiyuki Tateyama | F Minor | 9 | 4A | 128 BPM | ||
| No confusion | Akio Dobashi | F♯ Minor | 8 | 11A | 128 BPM |