On June 12, 2020, the song "Ramayan Chaupai" was released by Rakesh Kala. This song appears to be safe for all ages as it is not explicit. Since Ramayan Chaupai only contains only one song in the album, we like to consider this song as a single. Ramayan Chaupai is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ramayan Chaupai by Rakesh Kala having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shani Dev Aarti | Vishwajeet Borwankar, Priyanka Sarvadnya | G Major | 2 | 9B | 71 BPM | ||
| Radhe Rani Ke Charan | Devi Neha Saraswat | G Minor | 8 | 6A | 83 BPM | ||
| Ek Baar To Kanha Bankar Dekho - Unplugged | Rakesh Kala | D♭ Minor | 5 | 12A | 136 BPM | ||
| Ram Stuti - Shri Ram Chandra Kripalu Bhajman | Vidhi Sharma | A♭ Major | 8 | 4B | 100 BPM | ||
| Agar Nath Dekhoge Avgun Humare (Bhajan) - Live | Pujya Rajan Ji Official | B♭ Minor | 8 | 3A | 112 BPM | ||
| Saraswati Chalisa | Vidhi Sharma | F♯ Minor | 6 | 11A | 168 BPM | ||
| Mujhe Vrindavan Dham | Chitra Vichitra Ji Maharaj | A♭ Major | 9 | 4B | 83 BPM | ||
| Narasimha Aarti | Swarup Damodar Prabhu | D♭ Major | 6 | 3B | 107 BPM | ||
| Govind Mero Hai Gopal Mero Hai | Rakesh Kala | E Major | 8 | 12B | 151 BPM | ||
| Aisa Damru Bajaya Bhole Nath Ne | Mishra Bandhu | F♯ Minor | 7 | 11A | 126 BPM | ||
| Radhey Radhey Ki Jap Le Tu Mala | Vandana Bhardwaj | D♭ Minor | 7 | 12A | 98 BPM | ||
| Mera Aapki Kripa Se | Dhruv Sharma, Swarna Shri | G Major | 5 | 9B | 100 BPM | ||
| Radha Raman Mere Ghar Aavenge | Harinaam Das | E Minor | 9 | 9A | 111 BPM | ||
| Meethe Rash Se Bhari Radha Rani Lage | Rakesh Kala | F Minor | 7 | 4A | 88 BPM | ||
| O Barsane Wali | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A Major | 8 | 11B | 111 BPM | ||
| Sadguru Nathaa Haath Jodite | Ninad Ajgavkar | F Minor | 5 | 4A | 102 BPM | ||
| Mori Maiya Ki Chunari | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Rudrashtakam (Shiva Chanting) | Priyankaa Bhattacharya | B Minor | 7 | 10A | 110 BPM | ||
| Zari Ki Pagdi Bandhe Sundar Ankho Wala | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 8 | 4B | 88 BPM | ||
| Basa Hua Bhagwan Sabke Man Mandir Mein | Prem Bhushan Maharaj | E Minor | 5 | 9A | 135 BPM | ||
| Radha Rani - Bhajan Mashup | Dhruv Sharma, Swarna Shri | D Major | 3 | 10B | 90 BPM | ||
| Kirtan Ki Hai Raat Baba Aaj Thane Aano Hai | Mithlesh Sharma | A♭ Major | 6 | 4B | 153 BPM | ||
| Meri Bhavna | Rupak Jain, Chetna Shukla | E♭ Minor | 4 | 2A | 132 BPM | ||
| Raghupati Raghav | Baal Gopal, Hladini | A Major | 3 | 11B | 113 BPM | ||
| Shyam Chanda Hei Shyama Chakori | Nandlal Chhanga | F Major | 5 | 7B | 97 BPM |