"Insensatez/re-model by alva noto" by Morelenbaum2, Ryuichi Sakamoto had its release date on 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 16 in A DAY in new york by Morelenbaum2, Ryuichi Sakamoto. In terms of popularity, Insensatez/re-model by alva noto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Insensatez/re-model by alva noto by Morelenbaum2, Ryuichi Sakamoto is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 高架橋 | 野口文 | F♯ Minor | 7 | 11A | 110 BPM | ||
| Somewhere | Takumi Kaneko | A♭ Major | 0 | 4B | 64 BPM | ||
| モンスーン | 中村 由利子 | D Major | 3 | 10B | 136 BPM | ||
| Mar de Cirandeiras | Amaro Freitas, Jeff Parker | A♭ Major | 6 | 4B | 48 BPM | ||
| Negro | S-Tone Inc | A♭ Major | 4 | 4B | 78 BPM | ||
| Mistérios | Joyce | A Minor | 2 | 8A | 87 BPM | ||
| Waiting For | Joe Pisto, Fausto Beccalossi | E Major | 1 | 12B | 97 BPM | ||
| Glad I met Pat | Duke Jordan | E♭ Major | 4 | 5B | 185 BPM | ||
| PRAYER | Akiko Yano | A Minor | 1 | 8A | 170 BPM | ||
| Easy To Love | Patricia Barber | D Minor | 4 | 7A | 141 BPM | ||
| CHANSON POUR MICHELLE - Instrumental | Morelenbaum2, Ryuichi Sakamoto | D♭ Major | 0 | 3B | 98 BPM | ||
| Moments Musicaux - Prelude | 阿部海太郎 | F♯ Major | 0 | 2B | 71 BPM | ||
| Beethoven's Piano Sonata No. 8, Pathetique | Hiromi, Anthony Jackson, Simon Phillips | D♭ Major | 1 | 3B | 129 BPM | ||
| LAST CENTURY MODERN | TOWA TEI, UA | D Minor | 4 | 7A | 139 BPM | ||
| ヴェラス | Ann Sally | C Major | 1 | 8B | 98 BPM | ||
| O Vento | Ana Caram | G Major | 0 | 9B | 109 BPM | ||
| Ellingtoniana | Guinga | D Minor | 1 | 7A | 108 BPM | ||
| 哀しみのラプソディー | 中村 由利子 | D♭ Major | 2 | 3B | 101 BPM | ||
| Operative Word | Cassie Watson Francillon | E♭ Major | 2 | 5B | 69 BPM | ||
| Poinciana | Biréli Lagrène | D Major | 2 | 10B | 108 BPM | ||
| Improvisation - Live | Morelenbaum² / Sakamoto | E♭ Major | 3 | 5B | 83 BPM | ||
| 水平線のむこうに | 中村 由利子 | F Major | 2 | 7B | 85 BPM | ||
| JOUR, pt. 2 | Grégory Privat | F Major | 1 | 7B | 61 BPM | ||
| Boketto | Cozy Couch, godzhiller | E♭ Major | 2 | 5B | 69 BPM | ||
| BLUE MOON BLUE | Yukihiro Takahashi | C Major | 7 | 8B | 102 BPM |