Killing Joke's 'Here Comes the Singularity' had a release date set for September 27, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 12 in Absolute Dissent by Killing Joke. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Here Comes the Singularity is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Here Comes the Singularity by Killing Joke is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Shadow In Vain | Tubeway Army | B♭ Minor | 7 | 3A | 100 BPM | ||
| Moscow Idaho - 2019 Remaster | The Cassandra Complex | B♭ Major | 8 | 6B | 112 BPM | ||
| Insecticide | Fad Gadget, Eric Radcliffe | B Major | 10 | 1B | 142 BPM | ||
| Raindrop | Girls Against Boys | G Major | 10 | 9B | 150 BPM | ||
| Tomorrow's Sky | HOST | G Minor | 7 | 6A | 110 BPM | ||
| Dame Chance | The Young Gods | D♭ Minor | 8 | 12A | 139 BPM | ||
| In the Flat Field | Bauhaus | C Major | 8 | 8B | 152 BPM | ||
| Dead End Streets | Revolting Cocks | A Minor | 10 | 8A | 138 BPM | ||
| Boy Sinister | The Merry Thoughts | G Major | 8 | 9B | 151 BPM | ||
| Laughing Abyss | Grave Pleasures | G Major | 9 | 9B | 174 BPM | ||
| Room 429 | Cop Shoot Cop | A Major | 9 | 11B | 131 BPM | ||
| Crawling Toward the Light | Spotlights | F Major | 6 | 7B | 101 BPM | ||
| My Ambition | Silent Runners | G Major | 7 | 9B | 120 BPM | ||
| Delete | Killing Joke | C Minor | 9 | 5A | 168 BPM | ||
| Christians | Death Cult | A Minor | 9 | 8A | 137 BPM | ||
| In Excelsis | Killing Joke | D Major | 9 | 10B | 139 BPM | ||
| Endgame | Killing Joke | E Minor | 10 | 9A | 169 BPM | ||
| Rock the Shack | New Order | B♭ Major | 10 | 6B | 134 BPM | ||
| At the Burnside | The Twilight Sad | A Minor | 5 | 8A | 96 BPM | ||
| Orchestra of Knives | Zeromancer | E Major | 8 | 12B | 130 BPM | ||
| Don't Stand In Line | Pailhead | E Major | 9 | 12B | 72 BPM | ||
| A Moment sometimes | Pink Turns Blue | D Minor | 10 | 7A | 166 BPM | ||
| Block | The Church | E Minor | 8 | 9A | 151 BPM | ||
| Made Glorious | The March Violets | A Major | 9 | 11B | 160 BPM | ||
| Kissing the Sun | The Young Gods | D♭ Major | 10 | 3B | 128 BPM |