Richart de Fournival, Sinfonye's 'Onques n'amai tant que jou fui amee (Instrumental Version)' had a release date set for March 1, 1988. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 16 in Bella Domna: The Medieval Woman – Lover, Poet, Patroness & Saint by Sinfonye, Martin Codax, Andrew Lawrence-King, Richart de Fournival, Comtessa de Dia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Onques n'amai tant que jou fui amee (Instrumental Version) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Onques n'amai tant que jou fui amee (Instrumental Version) by Richart de Fournival, Sinfonye is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Instrumental piece III | Hildegard von Bingen, Sequentia, Barbara Thornton, Margriet Tindemans | C Major | 0 | 8B | 136 BPM | ||
| Mrs. McDermott Roe | Turlough O'Carolan, Michal Hromek Consort | G Minor | 2 | 6A | 143 BPM | ||
| John Dowland: Orlando Sleepeth | Julian Bream | C Major | 0 | 8B | 134 BPM | ||
| The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): I. A Galiard | Tobias Hume, Matteo Cicchitti, Musica Elegentia | E♭ Minor | 0 | 2A | 90 BPM | ||
| Levita Laurentius | Ivo de Vento, Harmonia Recorder Ensemble | F Major | 0 | 7B | 71 BPM | ||
| Tarantela por primer tono | Juan de Araujo, Ensemble Villancico, Peter Pontvik | F♯ Major | 2 | 2B | 72 BPM | ||
| O Doctor Optime | Stevie Wishart, Sinfonye | G Minor | 1 | 6A | 63 BPM | ||
| Ecco la primavera | Jessica Baran-Surel, Francesco Landini | C Major | 6 | 8B | 180 BPM | ||
| O Frondens Virga Alio Modo (Ed. Wishart) | Hildegard von Bingen, Stevie Wishart, Sinfonye | G Minor | 2 | 6A | 98 BPM | ||
| The English Dancing Master, Vol. 1: Merry, Merry Milkmaids | John Playford, Baltimore Consort | D Minor | 2 | 7A | 116 BPM | ||
| Second book (1639): Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 0 | 11A | 93 BPM | ||
| Early 17th Century Dances from Terpsichore: Three Voltas | Michael Praetorius, Calliope - A Renaissance Band | G Major | 1 | 9B | 107 BPM | ||
| The Dancing Master: Hyde Park | John Playford, The Broadside Band, Jeremy Barlow | D Major | 1 | 10B | 114 BPM | ||
| Il me souffit (Sermisy) | Edward Martin | G Minor | 0 | 6A | 88 BPM | ||
| Quant flours et glais | Gace Brulé, Stevie Wishart, Sinfonye | F Minor | 1 | 4A | 71 BPM | ||
| The Celt | Sue Richards, Ensemble Galilei | E Minor | 2 | 9A | 126 BPM | ||
| Viking Boaters Dancing in Scotland (feat. Lana Ross) | Andrei Krylov, Lana Ross | D♭ Major | 2 | 3B | 124 BPM | ||
| Premier livre de danseries: Suite de Bransles de Champaigne | Jean d’Estrées, Into the Winds | C Major | 2 | 8B | 125 BPM | ||
| Douce dame jolie | Guillaume de Machaut, Munir Beken, August Denhard | D♭ Minor | 0 | 12A | 42 BPM | ||
| CSM 400: Pero Cantigas De Loor (Journey Through Liz And Lena) | The Wandering Bard, Alfonso X El Sabio, Esin Yardimli Alves Pereira, Ricardo Alves Pereira, Nina Loureiro | D♭ Major | 4 | 3B | 112 BPM | ||
| Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
| Suite in G Major: IV. Voix humaines | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Quant voi la flour boutener | Gace Brulé, Alla Francesca, Emmanuel Bonnardot, Raphaël Boulay, Pierre Hamon, Brigitte Lesne | D♭ Major | 1 | 3B | 73 BPM | ||
| Saltarello | Joan Ambrosio Dalza, Ronn McFarlane, Mark Cudek | D♭ Major | 1 | 3B | 128 BPM | ||
| Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM |