ジェフリー・シーゲル(ピアノ)/セントルイス交響楽団/レナード・スラットキン(指揮)'s 'ラプソディ・イン・ブルー(ガーシュウィン)' had a release date set for June 30, 2010. This song appears to be safe for all ages as it is not explicit. The track order of this song in ヴァリアス・アーティスト's "Gardening Music R 観葉植物のための音楽(工作舎「植物の神秘生活」「植物たちの神秘の言葉」より参考選曲)" album is number 2 out of 10. On top of that, United States appears to be the country where this track was created. ラプソディ・イン・ブルー(ガーシュウィン) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of ラプソディ・イン・ブルー(ガーシュウィン) by ジェフリー・シーゲル(ピアノ)/セントルイス交響楽団/レナード・スラットキン(指揮) to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scheherazade, Op. 35: III. Love Between the Tsarevich and the Princess. Andantino quasi allegretto | Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek | G Major | 0 | 9B | 72 BPM | ||
| Giselle: Act I: Allegro un peu loure | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 169 BPM | ||
| Main Theme - From "Raiders of the Lost Ark" | The City of Prague Philharmonic Orchestra | C Major | 4 | 8B | 136 BPM | ||
| The Carousel Waltz | Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra | D Major | 3 | 10B | 70 BPM | ||
| Baroque Hoedown (Theme from Disney's Main Street Electrical Parade) [Arr. K. Whitcomb] | Gershan Kingsley, Jean-Jacques Perrey, Cincinnati Pops Orchestra, Erich Kunzel | G Major | 3 | 9B | 91 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
| Khachaturian: Gayaneh, Suite No. 3: V. Sabre Dance | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | F Minor | 8 | 4A | 94 BPM | ||
| The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | ||
| Schwanensee: Tanz der kleinen Schwäne / \"swan LAK | St. Petersburger Staatsorchester | G Minor | 5 | 6A | 95 BPM | ||
| La Bayadère / Act 1: No.14 Molto moderato | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | A Minor | 1 | 8A | 86 BPM | ||
| Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | C Major | 2 | 8B | 74 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
| Chabrier: España | Emmanuel Chabrier, Herbert von Karajan, Philharmonia Orchestra | F Major | 4 | 7B | 132 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| Star Trek V - The Final Frontier (End Title Theme 'Life Is A Dream') | Jerry Goldsmith, Richard Hayman, Philharmonic Rock Orchestra | G Major | 3 | 9B | 134 BPM | ||
| Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM | ||
| A Town with an Ocean View - from 'Kiki's Delivery Service' | Joe Hisaishi, Royal Philharmonic Orchestra | G Major | 3 | 9B | 102 BPM | ||
| CARMEN: MARCH OF THE TOREADORS (Bizet) | 101 Strings Orchestra | A Major | 5 | 11B | 116 BPM | ||
| Horner: Somewhere Out There (From "An American Tale") | James Horner, Boston Pops Orchestra, John Williams | G Major | 1 | 9B | 52 BPM | ||
| Carmen Suite No. 2 | Georges Bizet, Ernest Guiraud, Royal Philharmonic Orchestra, Mark Ermler | A Minor | 1 | 8A | 104 BPM | ||
| Jazz Suite No. 2: II. Lyric Waltz | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
| Scheherazade, Op. 35: The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Royal Concertgebouw Orchestra, Herman Krebbers, Kirill Kondrashin | G Major | 0 | 9B | 134 BPM | ||
| The Uncles Swing/End Credits - From “Casper” Soundtrack | James Horner | E Minor | 1 | 9A | 89 BPM | ||
| Carmen Suite after Bizet's Opera: 2. Dance | Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev | B♭ Major | 2 | 6B | 116 BPM | ||
| Roller Coaster | Otto M. Schwarz, Bratislava Symphony Orchestra | G Major | 4 | 9B | 119 BPM |