Rajkumar Swami, Kanchan Sapera's ' "Salasar Wala Hariyo Wighan Sab" was released on its scheduled release date, December 13, 2018. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 21 out of 24 in Bajrang Bala Bhajan by Rajkumar Swami, Kanchan Sapera. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Salasar Wala Hariyo Wighan Sab is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Salasar Wala Hariyo Wighan Sab by Rajkumar Swami, Kanchan Sapera is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Man Re Esa Satguru Joi | Bhajnanand Ji Maharaj | G Major | 7 | 9B | 112 BPM | ||
| Maihar Ki Bhawani Mata Sharda | Bechan Ram Rajbhar | B Major | 5 | 1B | 117 BPM | ||
| Mili Hai Mohe Tagdi Nari | Brijesh Shastri | B♭ Minor | 5 | 3A | 112 BPM | ||
| Chaurasi Ki Neend Me Mhara | Chunnilal, Prakash Mali, Moinuddin Manchala, Neta Nayak | B♭ Minor | 7 | 3A | 108 BPM | ||
| Buri Hoilam Tor Karone | Momtaz | A Minor | 8 | 8A | 164 BPM | ||
| Sanghatiya Sharab Ho Gail | Golu Raja | D♭ Major | 9 | 3B | 145 BPM | ||
| Par Nari Vish Ki Katar | Brijesh Shastri | F Major | 7 | 7B | 96 BPM | ||
| Maa Da Mandir Machaila | Naveen Punjabi | F♯ Major | 6 | 2B | 180 BPM | ||
| Ja Rahe Bajarang Bali | Jaysingh raja, Doli Rajpoot | F♯ Major | 6 | 2B | 82 BPM | ||
| Tujhe Rone Na Dega | Kanhiya Mittal | C Minor | 7 | 5A | 96 BPM | ||
| Picham Ri Dharti Su | Prakash Mali | D♭ Major | 10 | 3B | 109 BPM | ||
| Lagani Laagi Mara Ram Ni | Jamunaben Godaliya | A♭ Major | 5 | 4B | 110 BPM | ||
| Dropadi Ka Swayamvar | Tarun Baliyan | F♯ Minor | 9 | 11A | 133 BPM | ||
| Liya Sass Chan Ka | Satpal Dosa, Manpal | E Major | 7 | 12B | 80 BPM | ||
| Raja Takat Singh Sodha | Kheta Khan | E♭ Minor | 8 | 2A | 110 BPM | ||
| Jaanila Maram Hum Khoobhee Tohaar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Mane Acha Lage Bhagwan - Jambheshwar Bhajan | Champa Lal Karir | E Minor | 8 | 9A | 181 BPM | ||
| Kar Na Dulhaniya Nayan Mein | Madan Rai | F♯ Major | 6 | 2B | 110 BPM | ||
| Dhora Wali Dharti Kali Nagan | Sitaram Panchariya | E Major | 8 | 12B | 88 BPM | ||
| Jatt Shounqi Peenda | Amrik Toofan, Harjeet Mattu | D♭ Minor | 6 | 12A | 94 BPM | ||
| Jahar Baba Aawego | Ramavtar Sharma | F♯ Major | 5 | 2B | 125 BPM | ||
| Botal Liyandi Ni | Balkar Ankhila, Manjinder Gulshan | B♭ Major | 8 | 6B | 99 BPM | ||
| Jab Hai Nabi Mukhtar | Ashok Zakhmi | D Major | 7 | 10B | 139 BPM | ||
| Kahi Parwat Jhuke Bhi Hai | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| padosan le gai - Rajasthani Song | Kheta Khan | C Minor | 7 | 5A | 96 BPM |