"Piano & Violoncello 24" by Irena And Vojtech Havlovi had its release date on January 1, 1999. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Irena And Vojtech Havlovi's "Like a Butterfly On Your Palm" album is number 24 out of 27. Piano & Violoncello 24 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano & Violoncello 24 by Irena And Vojtech Havlovi to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Facing North: Northern Lights 1 | Meredith Monk, Robert Een | B Minor | 0 | 10A | 76 BPM | ||
| Jack Montparnasse | VITMAY | E♭ Major | 1 | 5B | 154 BPM | ||
| Hideout | Blades Without Sound | E♭ Major | 1 | 5B | 154 BPM | ||
| Urban March (Shadow) | Meredith Monk, Bruce Brubaker, Ursula Oppens | G Major | 1 | 9B | 82 BPM | ||
| Meditation XXII pt. 1 | Koben Sprengers | C Major | 2 | 8B | 62 BPM | ||
| Re Bo No | Simon Zöchbauer, Federspiel | E♭ Major | 1 | 5B | 154 BPM | ||
| Crossing | Julia Kent | F Major | 0 | 7B | 51 BPM | ||
| I Want A Goshawk | Emilie Levienaise-Farrouch | G Major | 1 | 9B | 93 BPM | ||
| Crane 53 | Elephants in a High Tree | C Major | 0 | 8B | 133 BPM | ||
| Sérénité | Samuel Bosch | E♭ Major | 0 | 5B | 114 BPM | ||
| Drifting Away | David Allred | E Major | 0 | 12B | 114 BPM | ||
| Assyrian Women Mourners | G. I. Gurdjieff, Thomas de Hartmann, Gurdjieff Quartet | B♭ Minor | 2 | 3A | 87 BPM | ||
| Lower River | Michael A. Muller | B Major | 3 | 1B | 69 BPM | ||
| dawn through pines | drmctchr | D♭ Major | 0 | 3B | 69 BPM | ||
| Waterkieken | Abel Ghekiere | B♭ Minor | 2 | 3A | 64 BPM | ||
| In Motion (Darkwood IV) | David Darling | B♭ Minor | 0 | 3A | 101 BPM | ||
| September I | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM | ||
| Extended Circular Music No. 2 | Jürg Frey, Tamriko Kordzaia | A♭ Minor | 0 | 1A | 112 BPM | ||
| Plenilunium | Katrine Grarup Elbo | A♭ Major | 3 | 4B | 113 BPM | ||
| Hana Bird | RAURA | F♯ Major | 0 | 2B | 71 BPM | ||
| Moon Dance in Tokyo | Tokyo Psychedelic Orchestra | A♭ Major | 0 | 4B | 109 BPM | ||
| Carbon Date Piano | Ernst Reijseger | F Major | 0 | 7B | 134 BPM | ||
| Crane 59 | Elephants in a High Tree | C Major | 0 | 8B | 133 BPM | ||
| Lumina | Lioen Marek | E♭ Major | 1 | 5B | 154 BPM | ||
| Aarhus / Reminiscences | Anne Müller | C Minor | 1 | 5A | 120 BPM |