Satoshi Kishida's ' "from L.A" was released on its scheduled release date, 1979. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "ON THE WAY -明日に向かって-". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Japan. from L.A is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With from L.A by Satoshi Kishida having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 初夏 | ふきのとう | G Minor | 5 | 6A | 113 BPM | ||
| 愛の迷い子 | Agnes Chan | G Major | 6 | 9B | 104 BPM | ||
| 虹とスニーカーの頃 | Tulip | A Minor | 7 | 8A | 144 BPM | ||
| 旅的途上(たびのとじょう) | Eigo Kawashima | C Major | 2 | 8B | 69 BPM | ||
| マスカレード | Mayo Shono | A♭ Minor | 7 | 1A | 118 BPM | ||
| 唇よ、熱く君を語れ | Machiko Watanabe | C Major | 6 | 8B | 132 BPM | ||
| サボテンの花 | Tulip | G Major | 7 | 9B | 127 BPM | ||
| 22才の別れ | Kozo Murashita | G Minor | 2 | 6A | 132 BPM | ||
| 中の島ブルース | Hiroshi Uchiyamada & Cool Five | F Major | 4 | 7B | 131 BPM | ||
| 失恋レストラン | Cherish | G Minor | 6 | 6A | 149 BPM | ||
| ウエディング・ベル | Sugar | G Minor | 6 | 6A | 90 BPM | ||
| さよならをするために | Billy Ban Ban | B Minor | 6 | 10A | 100 BPM | ||
| シンデレラ サマー | 石川優子 | F♯ Major | 8 | 2B | 111 BPM | ||
| ふられた気分 | Naoko Ken | A♭ Minor | 4 | 1A | 124 BPM | ||
| Garasuzaka | Midori Kinouchi | D Major | 6 | 10B | 72 BPM | ||
| 五番街のマリ−へ | ペドロ&カプリシャス | D Major | 3 | 10B | 173 BPM | ||
| 愛の水中花 | Keiko Matsuzaka | B Minor | 5 | 10A | 127 BPM | ||
| しなやかに歌って | CIRCUS | E Major | 5 | 12B | 110 BPM | ||
| 夢見るシャンソン人形 | Asami Kobayashi | E♭ Major | 3 | 5B | 140 BPM | ||
| 雨の物語 | Iruka | B Minor | 5 | 10A | 117 BPM | ||
| ほほにキスして - 2013 version | Keiko Mizukoshi | A Major | 7 | 11B | 129 BPM | ||
| チャンピオン | ALICE | B Minor | 8 | 10A | 159 BPM | ||
| 帰らざる日のために | キャンディーズ | F Major | 8 | 7B | 116 BPM | ||
| 夏ざかりほの字組 | Naoko Ken | G Major | 7 | 9B | 143 BPM | ||
| シャドー・ボクサー | Shinji Harada | F Major | 5 | 7B | 129 BPM |