Curimbeiros's ' "Toque Para Exú" was released on its scheduled release date, 2006. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Toque Para Exú's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "No Reino de Exu". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Brazil. In terms of popularity, Toque Para Exú is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Toque Para Exú by Curimbeiros having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rainha do Mar | Mestre Marne | F♯ Major | 8 | 2B | 139 BPM | ||
| Força Maior / Raio de Sol / Pancada do Sino | Ney Mutulambê, Curimbeiras da Congregação Espirita São Gerônimo | C Major | 0 | 8B | 65 BPM | ||
| Ponto Dama da Noite - No Seu Olhar Tem Muito Axé | Batuqueiro de Oxóssi | E Minor | 6 | 9A | 98 BPM | ||
| Preto na Senzala | Nelson Mateus e Filhas de Iemanjá | G Major | 7 | 9B | 100 BPM | ||
| Nanan Buruku - Nation Angola | Traditionnel | E Major | 5 | 12B | 105 BPM | ||
| Congo de Sassaravá | Nelson Mateus e Filhas de Iemanjá | B♭ Major | 9 | 6B | 124 BPM | ||
| Caminhou | Nelson Mateus e Filhas de Iemanjá, Dalva Claudia Zan | F♯ Major | 6 | 2B | 108 BPM | ||
| Toque Alujá de Xangô e outros dois toques | Mestres Navegantes, Ilê Kaio Alaketu Axé Oxum, Mãe Preta | E♭ Major | 8 | 5B | 91 BPM | ||
| Ogum | Mavambo Trio | E♭ Minor | 8 | 2A | 102 BPM | ||
| Oxalá - Onissáurê, Saúlaxé | Cia de Ogans | G Minor | 7 | 6A | 95 BPM | ||
| Lá na Porteira Deixei um Sentinela | Coral Filhos de Exu | F♯ Major | 6 | 2B | 117 BPM | ||
| Toada Para Exu 2 | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM | ||
| Vamos, Meu Mestre | Alessandra Leão, Sapopemba | F Major | 9 | 7B | 65 BPM | ||
| Saravá João Caveira | Mahadevamusic & Jiboia Sagrada | D♭ Minor | 5 | 12A | 112 BPM | ||
| Maria Padilha | Ogã Digo do Avagã | D♭ Major | 8 | 3B | 155 BPM | ||
| Ponto para Malunguinho | Alessandra Leão | B♭ Minor | 9 | 3A | 176 BPM | ||
| Olha Quem Está Lá no Portão | Coral Filhos de Exu | F♯ Major | 6 | 2B | 117 BPM | ||
| Chamando os Mestres | Ponto de jurema | F♯ Major | 5 | 2B | 109 BPM | ||
| Marinheiro Só | Filhas de Iemanja, Curimbeiros | F Major | 7 | 7B | 96 BPM | ||
| Saudaçao a Ogum | Filhos de Iemanja | F♯ Minor | 5 | 11A | 46 BPM | ||
| Maria Navalha | Alfredo de Ossayn | D♭ Minor | 5 | 12A | 112 BPM | ||
| Rosa Caveira Devolve o Mal de Quem Mandou | Cae lopes | G Major | 2 | 9B | 102 BPM | ||
| Boiadeiro Navizala Rio das Contas (Tat Manê Pá) | José Ribeiro e Seus Filhos de Santo do Terreiro Inhasã Egún-Nitá | A Minor | 7 | 8A | 85 BPM | ||
| Exu Marabô Veio Me Ver | Cae lopes | B Major | 6 | 1B | 135 BPM | ||
| Ogun - Nation Ketou | Traditionnel | E♭ Major | 7 | 5B | 110 BPM |