Johnny Hodges & His Orchestra's ' "Blues-A-Plenty" was released on its scheduled release date, January 1, 1958. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 9 in Blues-A-Plenty by Johnny Hodges & His Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Blues-A-Plenty is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Blues-A-Plenty by Johnny Hodges & His Orchestra is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daahoud | Ray Bryant Trio | A♭ Major | 3 | 4B | 105 BPM | ||
| The Sheik of Araby - Bonus Track | Johnny Hodges & His Orchestra | G Minor | 2 | 6A | 177 BPM | ||
| Little Girl Blue | John Lewis | E♭ Major | 1 | 5B | 109 BPM | ||
| Autumn in New York - Bonus Track | Bobby Timmons, Jimmy Bond, Peter Littman | F Major | 1 | 7B | 69 BPM | ||
| Lilacs in the Rain | Junior Mance | C Major | 1 | 8B | 115 BPM | ||
| The Cool One | Art Farmer & Benny Golson Jazztet | B Minor | 2 | 10A | 127 BPM | ||
| Black Coffee | Sonny Criss | C Major | 1 | 8B | 115 BPM | ||
| Little Waltz | Thad Jones, Pepper Adams Quintet | F Minor | 1 | 4A | 157 BPM | ||
| Star Eyes | McCoy Tyner | F Minor | 3 | 4A | 173 BPM | ||
| Feeling Good | Elvin Jones | A Minor | 1 | 8A | 134 BPM | ||
| Sunset | McCoy Tyner Trio | D Major | 1 | 10B | 131 BPM | ||
| Velvet Moon | Tommy Flanagan Trio | A♭ Major | 1 | 4B | 76 BPM | ||
| This Here | Bobby Timmons | F Major | 5 | 7B | 95 BPM | ||
| It Ain't Necessarily So | Art Farmer & Benny Golson Jazztet | G Minor | 2 | 6A | 111 BPM | ||
| You Go To My Head | Art Pepper | E♭ Major | 1 | 5B | 65 BPM | ||
| Long Ago (And Far Away) | Chet Baker Quartet, Russ Freeman | A♭ Major | 4 | 4B | 137 BPM | ||
| Polka Dots And Moonbeams | Lou Donaldson | D Minor | 2 | 7A | 122 BPM | ||
| I Remember Clifford | John Lewis | E♭ Major | 0 | 5B | 76 BPM | ||
| The Midnight Sun Will Never Set | Benny Carter | G Minor | 3 | 6A | 72 BPM | ||
| Gee Baby Ain't I Good To You | Stanley Turrentine | C Major | 1 | 8B | 115 BPM | ||
| You Blew Out The Flame In My Heart | Johnny Hodges & His Orchestra | C Minor | 3 | 5A | 143 BPM | ||
| When I Fall In Love | Miles Davis Quintet | F Major | 1 | 7B | 66 BPM | ||
| Too Close For Comfort | Stan Getz Quartet | A♭ Major | 2 | 4B | 140 BPM | ||
| A Lull at Dawn | The Trevor Richards New Orleans Trio, Evan Christopher, David Boeddinghaus | F♯ Major | 5 | 2B | 117 BPM | ||
| It Ain’t Necessarily So | Mary Lou Williams | E Minor | 1 | 9A | 126 BPM |