Ola Strandh's ' "Take the Capitol" was released on its scheduled release date, March 12, 2019. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Take the Capitol's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Tom Clancy's the Division 2 (Original Game Soundtrack)". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Canada. The popularity of Take the Capitol is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Take the Capitol by Ola Strandh having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trans-Human Crossfire | Valve | C Major | 9 | 8B | 150 BPM | ||
| Monsters We | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Reactivate Team Rainbow | Paul Haslinger | D Minor | 3 | 7A | 131 BPM | ||
| Rush Assignment | Shoi Miyazawa | B Minor | 8 | 10A | 86 BPM | ||
| SAM | Ola Strandh | A♭ Major | 6 | 4B | 164 BPM | ||
| Forbidden Rites | Total Mayhem Games | D Minor | 6 | 7A | 80 BPM | ||
| Zulu-Tango | Audiomachine | A Major | 10 | 11B | 125 BPM | ||
| Counterfeit | Martin Stig Andersen | A♭ Major | 1 | 4B | 91 BPM | ||
| Clean Up | AfterInfinity, Evan Royalty | B♭ Major | 0 | 6B | 125 BPM | ||
| Cold Tundra | Digital Extremes Ltd., George Spanos | B♭ Minor | 7 | 3A | 82 BPM | ||
| Task Force Friendly Fire | Brandon McKagan | B♭ Major | 2 | 6B | 160 BPM | ||
| Penultimatum | morch kovalski | F Major | 10 | 7B | 105 BPM | ||
| A Finishing Action | Ben Frost | A♭ Major | 6 | 4B | 123 BPM | ||
| Et Ratio Principalis | Petri Alanko | A Major | 4 | 11B | 128 BPM | ||
| Times Square | Ola Strandh | B Minor | 5 | 10A | 102 BPM | ||
| Crash Site | Walter Mair | F♯ Major | 2 | 2B | 83 BPM | ||
| Mules | Ludvig Forssell | D Major | 9 | 10B | 154 BPM | ||
| Call In The Elite | Finishing Move Inc. | E Minor | 5 | 9A | 120 BPM | ||
| Legacy, Pt. 2 | Spencer Baggett | A♭ Major | 7 | 4B | 156 BPM | ||
| On The Run | Gustaf Grefberg, Sam Hulick | E Minor | 5 | 9A | 68 BPM | ||
| The Shackles I Wore | Dan Romer | A♭ Major | 9 | 4B | 93 BPM | ||
| Typhon Voices | Mick Gordon | D Major | 4 | 10B | 100 BPM | ||
| Distorted Reality | Sascha Dikiciyan | F Major | 4 | 7B | 83 BPM | ||
| Anesthetized | Andrew Hulshult | B♭ Minor | 5 | 3A | 100 BPM | ||
| Metro Pulse | Tony Clarke, RGW | D♭ Major | 2 | 3B | 147 BPM |