"Afraid of Bridges" by Mel Wesson, Nine One One had its release date on February 4, 2016. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Afraid of Bridges's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 13 in Arpeggios by Mel Wesson, Nine One One. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Afraid of Bridges's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Afraid of Bridges by Mel Wesson, Nine One One is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Green Fields | Evgeniy Petrov, Ferro | D♭ Major | 1 | 3B | 137 BPM | ||
| Unicas Oportunidades | Mutua Admiración | D♭ Major | 0 | 3B | 68 BPM | ||
| Moments Too Late | Cris Velasco | E Major | 1 | 12B | 127 BPM | ||
| Thousand | Almira Gokmen, Almira | E Minor | 1 | 9A | 83 BPM | ||
| Terminator Arrival / Reese Chased / Sarah on Motorbike | Brad Fiedel | G Minor | 2 | 6A | 79 BPM | ||
| L'Anno Del Dragone | Non Binary | E♭ Major | 0 | 5B | 76 BPM | ||
| Rise and Climb | Bleeding Fingers, Mel Wesson | B Minor | 6 | 10A | 106 BPM | ||
| Broken | Yiyrbe | F♯ Minor | 0 | 11A | 135 BPM | ||
| Empty Streets | DImitry Kuznetsov | E Major | 3 | 12B | 150 BPM | ||
| The Night Shift | Stephen Baysted | B♭ Major | 1 | 6B | 115 BPM | ||
| Submarine | Atli Örvarsson | A♭ Major | 7 | 4B | 98 BPM | ||
| Anni Luce | Non Binary | G Major | 6 | 9B | 90 BPM | ||
| Cuerpos Intrusos | Moon Vagrants | D♭ Minor | 1 | 12A | 110 BPM | ||
| What the Hell is Going On? | Luke Richards | B♭ Major | 2 | 6B | 130 BPM | ||
| What Happens in Helmand | Ian Arber, Dave Rowntree | D♭ Major | 1 | 3B | 115 BPM | ||
| The Abbey Turned to Dust | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| A La Par.wav | Grandes Tardes | F♯ Minor | 1 | 11A | 110 BPM | ||
| Hit The Neck | Mel Wesson, Nine One One | E Major | 1 | 12B | 127 BPM | ||
| Fantasy | Kathaphelia | B♭ Minor | 4 | 3A | 177 BPM | ||
| A Weapon From Hell | Metal Gear Sound Team | D Major | 2 | 10B | 124 BPM | ||
| Extase | Clayfists | D Major | 1 | 10B | 135 BPM | ||
| Translunar Injection | Matt Morton | A♭ Major | 3 | 4B | 132 BPM | ||
| Mixed Feelings | Mel Wesson, Nine One One | D Major | 6 | 10B | 126 BPM | ||
| The Lovecaster's Hymn | The Wizard of Loverland | E Major | 1 | 12B | 127 BPM | ||
| Ambitions | Neehel | B♭ Major | 1 | 6B | 140 BPM |