Kohei Tanaka's ' "未来島エッグヘッド" was released on its scheduled release date, December 29, 2025. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. 未来島エッグヘッド's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 58 in the song's album "ONE PIECE Original SoundTrack EGGHEAD". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Japan. Based on our statistics, 未来島エッグヘッド's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With 未来島エッグヘッド by Kohei Tanaka having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| LET'S GO RIDER!!! - Tojima Wants to Be a Masked Rider EP 1 - Epic Version | PianoPrinceOfAnime | G Major | 9 | 9B | 127 BPM | ||
| NEKRONOMIKO | Evan Call | C Major | 8 | 8B | 130 BPM | ||
| Gin No Ishi | Falcom Sound Team jdk | D♭ Minor | 9 | 12A | 143 BPM | ||
| LR TEQ Golden Frieza + Gogeta Reversible Exchange - Reimagined by AI | Miguelele | F Minor | 7 | 4A | 108 BPM | ||
| Nightmares | 藤田淳平 | A Minor | 6 | 8A | 85 BPM | ||
| 彼は誰時・朝ぼらけ | 椎名豪 | C Major | 7 | 8B | 108 BPM | ||
| UNBEATABLE | Kenichiro Suehiro | A Minor | 3 | 8A | 59 BPM | ||
| -{EDGE OF THE FUTURE} | 崎元仁, ベイシスケイプ | E Minor | 8 | 9A | 140 BPM | ||
| 魔力発動 | 羽岡 佳 | D Major | 3 | 10B | 170 BPM | ||
| Hollow Light of the Sealed Land | Falcom Sound Team jdk | G Major | 7 | 9B | 158 BPM | ||
| 凱旋門賞 最後の決戦 | Lucas Nainemoutou | E Major | 5 | 12B | 93 BPM | ||
| 迫る! 鳥かご包囲網 | 井内啓二 | C Minor | 3 | 5A | 137 BPM | ||
| The Final Decisive Battle | 目黒将司, ATLUS GAME MUSIC | E♭ Major | 7 | 5B | 117 BPM | ||
| Light Guardian | LucaProject | C Major | 4 | 8B | 94 BPM | ||
| 勝負レース発バ | 田渕夏海 | B Minor | 9 | 10A | 144 BPM | ||
| Heroic Beat | Yasunori Nishiki | D Major | 7 | 10B | 132 BPM | ||
| Brinstar (From “Metroid: Zero Mission”) | Kassil | G Major | 8 | 9B | 110 BPM | ||
| God and Demon Lord (Tensura) | James Liam Figueroa | C Minor | 4 | 5A | 113 BPM | ||
| Dramatic Encounter | Akiyuki Tateyama | B♭ Minor | 9 | 3A | 94 BPM | ||
| Auguste, the Playwright | Yasunori Nishiki | D Major | 4 | 10B | 172 BPM | ||
| Decisive Battle | 目黒将司, ATLUS GAME MUSIC | F♯ Minor | 6 | 11A | 120 BPM | ||
| Gravity of Doom | Tak_mfk | C Minor | 6 | 5A | 97 BPM | ||
| ブラッディ・パーティー - instrumental | ビッグ・マム(小山茉美) | A Major | 3 | 11B | 99 BPM | ||
| Martira, Old Castle Town -Night- | アトラスサウンドチーム, ATLUS GAME MUSIC | C Major | 5 | 8B | 76 BPM | ||
| GⅠ&URAファイナルズ 最後の勝負 | 加藤慶久 | D♭ Major | 7 | 3B | 82 BPM |