Spoken Word, Edward R. Murrow's 'June 4, 1940' had a release date set for 1966. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. June 4, 1940's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 25 in A Reporter Remembers, Vol. 1: The War Years by Spoken Word, Edward R. Murrow. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. June 4, 1940 is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of June 4, 1940 by Spoken Word, Edward R. Murrow is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prussians | Childrens Corner | A♭ Major | 0 | 4B | 93 BPM | ||
| The Yipiyuk | Shel Silverstein | G Minor | 1 | 6A | 120 BPM | ||
| Father William | O' Rourke | A Minor | 1 | 8A | 160 BPM | ||
| What happened in 2014? | Matthew Rix | D♭ Major | 3 | 3B | 119 BPM | ||
| December 2, 1940 / December 24, 1940 | Spoken Word, Edward R. Murrow | C Minor | 2 | 5A | 117 BPM | ||
| 39.09.04 - Call For Civilian Defense | Edward R. Murrow | B♭ Minor | 3 | 3A | 73 BPM | ||
| The Fall of Man | Bible Dreaming | B♭ Minor | 8 | 3A | 83 BPM | ||
| To Be, or Not to Be (Hamlet) [Act III, Scene I] | J.T. McDaniel | B Major | 2 | 1B | 168 BPM | ||
| Peter and the Wolf, Op. 67: And Now This Is How Things Stood | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Major | 0 | 9B | 99 BPM | ||
| Pinocchio, Pt. 27 | Fairy Tales for Kids | A♭ Major | 2 | 4B | 101 BPM | ||
| 45.05.08 - Picadelly Circus | Edward R. Murrow | B♭ Minor | 5 | 3A | 115 BPM | ||
| Desert Places | Robert Frost | G Major | 1 | 9B | 114 BPM | ||
| Jimmy Takes Vanishing Lessons | Alfred Hitchcock | C Major | 0 | 8B | 88 BPM | ||
| Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Attention | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Lesson 5a | Kieran Ball | B♭ Minor | 1 | 3A | 134 BPM | ||
| Talent Becomes the Glucksey | Sean William, Gordon C. Gauthier, Scott Hull, Masterdisk | B Minor | 1 | 10A | 181 BPM | ||
| Gooteekhl | David Holt | D Major | 3 | 10B | 142 BPM | ||
| Start Your Day With Presence | Eckhart Tolle | D Major | 2 | 10B | 110 BPM | ||
| Embrace Challenges for Real Growth | Eckhart Tolle | D♭ Minor | 2 | 12A | 77 BPM | ||
| Cross Over | PROSPERITY MELODY SINGER | F♯ Minor | 7 | 11A | 141 BPM | ||
| Kapitel 8.3 & Kapitel 9.1 - Adolf Hitler | Clemens von Lengsfeld | D Minor | 4 | 7A | 93 BPM | ||
| Nobody | Bert Williams | F♯ Major | 1 | 2B | 77 BPM | ||
| Alfred Lord Tennyson - The Charge of the Light Brigade | Ghizela Rowe | C Major | 1 | 8B | 107 BPM | ||
| Lessons Learned in Moscow 17 | Rabbi Yoel Ferber | F Minor | 4 | 4A | 77 BPM | ||
| Jazz Over a Stormy Oldies Night | Oldies Playing | C Major | 0 | 8B | 90 BPM |