"Wiegenlied Op.105" by Azzurra Musicians had its release date on June 3, 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Azzurra Musicians's "Lullabies - Wiegenlieder" album is number 13 out of 13. Wiegenlied Op.105 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wiegenlied Op.105 by Azzurra Musicians to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sleep & Chill | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
| ペチカ | Yumiko Samejima | D Major | 2 | 10B | 113 BPM | ||
| Liebeslieder- Walzer Op. 52: Die Grüne Hopfenranke | Chamber Choir Of Europe, Reinhard Geller, Friederike Haug, Johannes Brahms, Jürgen Meier, Nicol Matt | A Minor | 1 | 8A | 81 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | A Minor | 1 | 8A | 81 BPM | ||
| Clarinet Concerto in a Major, K. 622: II. Adagio | Bellybuds | D Major | 0 | 10B | 79 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Tranquilo | Aurora Crescendo | B Minor | 1 | 10A | 89 BPM | ||
| Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
| Paysage sentimental | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
| Bizet: Carmen, Act 1:"Avec la garde montante, nous arrivons, nous voilà!" (Enfants) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Chor und Kinderchor der Deutschen Staatsoper Berlin | D Minor | 1 | 7A | 122 BPM | ||
| Stadchen - Schubert | Lindon-Sherman Flute/Guitar Duo | D Major | 1 | 10B | 114 BPM | ||
| Cui: 20 Poèmes de Jean Richepin, Op. 44: No. 1, Berceuse. "Dors, mon fieux, dors" | César Cui, Boris Christoff, Janine Reiss | E♭ Minor | 0 | 2A | 116 BPM | ||
| Giordano: Andrea Chénier, Act I: "O pastorelle, addio!" | Umberto Giordano, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | A Major | 0 | 11B | 137 BPM | ||
| Wege zu dir - Wege zu mir | Dick Le Mair | F Major | 3 | 7B | 122 BPM | ||
| Hänsel und Gretel, Act II: Ein Männlein steht im Walde (Gretel, Hänsel) | Engelbert Humperdinck, Donald Runnicles, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks | F Major | 1 | 7B | 89 BPM | ||
| Dormi, Fili, Dormi, Dormi | Azzurra Musicians | E Major | 1 | 12B | 104 BPM | ||
| Ach Weh, Des Leiden | The Royal Wind Music | A♭ Minor | 1 | 1A | 62 BPM | ||
| Hájo, Hájedlo | Musica Bohemica | B♭ Major | 1 | 6B | 113 BPM | ||
| Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | ||
| Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
| Griseldis: Introduction | Adolphe Adam, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Dario Salvi | B♭ Major | 2 | 6B | 78 BPM | ||
| Eine Kleine Nachtmusik K.525 | Philharmonic Orchestra of Mexico | C Major | 1 | 8B | 64 BPM | ||
| Cui: 25 Poems by Pushkin, Op. 57: No. 25, Desire | César Cui, Boris Christoff, Serge Zapolsky | C Major | 2 | 8B | 114 BPM | ||
| Die Fledermaus / Act 1: Nr.1 Introduktion: "Täubchen, das entflattert ist" - Edit | Johann Strauss II, Hilde Gueden, Erika Köth, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 66 BPM | ||
| Pastoral Mass in G Major, Op. 24: III. Credo | Karl Kempter, Augsburger Domsingknaben, Reinhard Kammler | G Major | 1 | 9B | 145 BPM |