Guiraut Riquier, Martin Best Medieval Ensemble's 'Au temps d'auost' had a release date set for January 1, 1991. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "The Last of the Great Troubadours: The Art & Times of Guiraut Riquier, 1230-1292". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Au temps d'auost is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Au temps d'auost by Guiraut Riquier, Martin Best Medieval Ensemble having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lala | Mary Ann Tedstone Glover | A Minor | 4 | 8A | 100 BPM | ||
| The English Dancing Master: Jenny Pluck Pears | John Playford, The Broadside Band | D Major | 0 | 10B | 100 BPM | ||
| "Procession of the Olympians” (Composition For Lyre In The Ancient Greek Lydian Mode) | Michael Levy | E Major | 1 | 12B | 99 BPM | ||
| Textless Carmen | Piffaro | D Major | 0 | 10B | 115 BPM | ||
| Prologue: L’Orfeo, Ritornello (The Ritual of Initiation) | The Wandering Bard, Claudio Monteverdi | G Major | 0 | 9B | 81 BPM | ||
| Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
| Cutie Clat Her | Hesperus Early Music Ensemble, Tina Chancey, Scott Reiss, Grant Herreid | D Major | 2 | 10B | 103 BPM | ||
| Flight from the Library | Alkemie | D Minor | 0 | 7A | 89 BPM | ||
| Procession of the Vestal Virgins (Original Composition for Replica Lyre in the Ancient Hypophrygian Mode) | Michael Levy | B Minor | 1 | 10A | 86 BPM | ||
| Una sarao de la chacona, "a la vida bona" | Juan Arañés, Piffaro | F♯ Major | 2 | 2B | 140 BPM | ||
| Unter den liinden an der heide | Walther von der Vogelweide, Ensemble Für Fruhe Musik Augsburg | F♯ Major | 1 | 2B | 128 BPM | ||
| Ecco la primavera | Francesco Landini, Early Music Consort Of London, David Munrow | D Minor | 4 | 7A | 177 BPM | ||
| Före pesten | Vox Vulgaris | E Minor | 6 | 9A | 108 BPM | ||
| Wolauff, Gesell! | Oswald von Wolkenstein, La Reverdie | C Major | 2 | 8B | 114 BPM | ||
| Dances From the English Dancing Master: Stingo 2 | John Playford, Folger Consort | A Minor | 1 | 8A | 172 BPM | ||
| Douce dame jolie... | Guillaume de Machaut, Les musiciens de Provence, Maurice Guis | A Minor | 1 | 8A | 108 BPM | ||
| Basse dance "La Magdalena & Tourdion" | Pierre Attaingnant, Doulce Mémoire, Denis Raisin-Dadre | E♭ Minor | 3 | 2A | 111 BPM | ||
| Im Maien | Piffaro | E Minor | 4 | 9A | 119 BPM | ||
| Miri It Is | Trouvere Medieval Minstrels | A Minor | 1 | 8A | 77 BPM | ||
| La villanella | Vincenzo Capirola, Christopher Wilson | G Minor | 0 | 6A | 95 BPM | ||
| The English Dancing Master, Vol. 1: Merry, Merry Milkmaids | John Playford, Baltimore Consort | D Minor | 2 | 7A | 116 BPM | ||
| Ita se n'er'a star | Lorenzo da Firenze, Palatino87 | G Minor | 1 | 6A | 96 BPM | ||
| Under der linden an der heide | Walther von der Vogelweide, Estampie | A Minor | 0 | 8A | 72 BPM | ||
| Cantiga No. 10, "Rosa das rosas": Prologo (CSM 60) | Alfonso X El Sabio, Unicorn Ensemble | C Major | 2 | 8B | 117 BPM | ||
| Con amores, mi madre | Juan de Anchieta, Accentus Ensemble, Thomas Wimmer | D Minor | 2 | 7A | 158 BPM |