Beth Porter, Natalie Naudus's ' "Chapter 12 - Reduce, Reuse, Reimagine - Sorting Out the Recycling System" was released on its scheduled release date, November 8, 2018. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 132 in the song's album "Reduce, Reuse, Reimagine [Sorting Out the Recycling System (Unabridged)]". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. In terms of popularity, Chapter 12 - Reduce, Reuse, Reimagine - Sorting Out the Recycling System is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Chapter 12 - Reduce, Reuse, Reimagine - Sorting Out the Recycling System by Beth Porter, Natalie Naudus having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| January Man | Lau, Karine Polwart | A♭ Minor | 2 | 1A | 143 BPM | ||
| Lapwings | The Young'uns | C Major | 2 | 8B | 125 BPM | ||
| Willie of Winsbury (Child 100) | Anaïs Mitchell, Jefferson Hamer | F Major | 3 | 7B | 96 BPM | ||
| My Darling Boy | Emily Smith | E Major | 3 | 12B | 190 BPM | ||
| You've Always Been | Beth Porter | C Major | 1 | 8B | 126 BPM | ||
| Lavenders Blue/Mazurka | Jackie Oates | D♭ Major | 2 | 3B | 91 BPM | ||
| The Man with the Blond Violin | Louis De Bernières, Beth Porter, Ben Please | E Major | 2 | 12B | 164 BPM | ||
| Dh’èirich Mi Moch, b' Fheàrr Nach Do Dh’èirich | Julie Fowlis | E♭ Major | 1 | 5B | 87 BPM | ||
| Headwater | Salt House | F Major | 2 | 7B | 187 BPM | ||
| Caerdyni | Gwyneth Glyn | B♭ Minor | 6 | 3A | 110 BPM | ||
| Starling Song | Kitty Macfarlane | D Major | 1 | 10B | 64 BPM | ||
| Kingfisher | Spell Songs, Kris Drever, Beth Porter | E Major | 5 | 12B | 128 BPM | ||
| Before My Time | Louis De Bernières, Beth Porter, Ben Please | B Major | 2 | 1B | 93 BPM | ||
| Crook | Emma Hooper, Ian Vorley, Susan Lord, Beth Porter, Red Carousel | F Major | 3 | 7B | 150 BPM | ||
| Ophelia | Karine Polwart, Steven Polwart, Inge Thomson | D♭ Minor | 8 | 12A | 120 BPM | ||
| Vapour Trails | Kelly Bayfield, Paul Sartin, Beth Porter, Ben Please, David Edward Booth | F♯ Minor | 3 | 11A | 91 BPM | ||
| Green Mossy Banks | Sam Lee, Trans Voices | E♭ Major | 0 | 5B | 80 BPM | ||
| Seeds of Love - Ext. Version | Ali Maya | D Major | 2 | 10B | 112 BPM | ||
| Sweet Nightingale | Sam Lee, Jackie Oates | D♭ Major | 2 | 3B | 124 BPM | ||
| You are always in my Heart | Domhan | C Major | 3 | 8B | 99 BPM | ||
| O Mhairi's Tu Mo Mhairi | Karen Matheson | E Major | 5 | 12B | 106 BPM | ||
| River Water | Louis De Bernières, Beth Porter, Ben Please | B Major | 2 | 1B | 93 BPM | ||
| Dh’èirich Mi Moch Madainn Cheòthar | Julie Fowlis | F Major | 2 | 7B | 72 BPM | ||
| Rolling English Road | Mishra | D Major | 4 | 10B | 105 BPM | ||
| I Never Will Marry | The Magpies | G Major | 4 | 9B | 107 BPM |