- BPM
- 67
- Key
- E♭ Major
- Camelot
- 5B
Verdi: Macbeth, Act 1: Oh, donna mia! (Macbeth/Lady Macbeth) by Giuseppe Verdi, Sherrill Milnes, Riccardo Muti, New Philharmonia Orchestra Song Details
Giuseppe Verdi, Sherrill Milnes, Riccardo Muti, New Philharmonia Orchestra's 'Verdi: Macbeth, Act 1: Oh, donna mia! (Macbeth/Lady Macbeth)' had a release date set for 1976. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Macbeth by Giuseppe Verdi, Sherrill Milnes, Riccardo Muti. The song's track number on the album is #11 out of 46 tracks. Verdi: Macbeth, Act 1: Oh, donna mia! (Macbeth/Lady Macbeth) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Verdi: Macbeth, Act 1: Oh, donna mia! (Macbeth/Lady Macbeth) by Giuseppe Verdi, Sherrill Milnes, Riccardo Muti, New Philharmonia Orchestra has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Verdi: Macbeth, Act 1: Oh, donna mia! (Macbeth/Lady Macbeth) being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -22.562 dB
- Acousticness
- 93%
- Danceability
- 37%
- Energy
- 9%
- Instrumentalness
- 2%
- Liveness
- 35%
- Loudness
- 62%
- Speechiness
- 11%
- Valence
- 23%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | |
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 | Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | |
 | Donizetti: Don Pasquale, Act 1: "Sogno soave e casto" (Ernesto, Pasquale) | Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | A♭ Major | 1 | 4B | 71 BPM | |
 | Barcarolle | Jacques Offenbach, Anna Netrebko, Elina Garanca | D Major | 2 | 10B | 132 BPM | |
 | Donizetti: La fille du régiment, Act 1: "Ah ! Mes amis, quel jour de fête!" - "Pour mon âme" (Tonio, Chœur) | Gaetano Donizetti, Michael Spyres, Choeur de l'Opéra national du Rhin, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 0 | 5B | 81 BPM | |
 | Nabucco / Act I: Gli arredi festivi giù cadano infranti | Giuseppe Verdi, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E Major | 1 | 12B | 80 BPM | |
 | 'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | |
 | La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | |
 | Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | |
 | La bohème, Act II: Quando men vo – Fuori il danaro! | Giacomo Puccini, Elizabeth Harwood, Michel Sénéchal, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 182 BPM | |
 | Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | F Major | 3 | 7B | 172 BPM | |
 | Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | |
 | Aida, Act I: Possente, possente Fthà | Giuseppe Verdi, Lucia Valentini Terrani, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | |
 | Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | |
 | Don Carlo, Act I: Dio che nell'alma (Carlo/Rodrigo/Coro di Frati/Un frate) | Giuseppe Verdi, Luciano Pavarotti, Paolo Coni, Andrea Silvestrelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM | |
 | Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | |
 | Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | |
 | L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | F Minor | 1 | 4A | 175 BPM | |
 | Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | |
 | Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 78 BPM | |
 | Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | |
 | Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | |
 | La traviata / Act I: "Ebben? che diavol fate?" | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 125 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records