"ドゥ・イット!(ロック・アップ)" by Bill Conti had its release date on 1989. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ロック・アップ オリジナル・サウンドトラック, so we believe that "ドゥ・イット!(ロック・アップ)" is a single. ドゥ・イット!(ロック・アップ) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ドゥ・イット!(ロック・アップ) by Bill Conti is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capa's Last Transmission Home | Underworld | D Major | 1 | 10B | 94 BPM | ||
| Tema di Jane | Claudio Capponi, Alessio Vlad | D Major | 2 | 10B | 82 BPM | ||
| Making the Connection | Henry Jackman | D♭ Minor | 0 | 12A | 50 BPM | ||
| Alone | Harry Gregson-Williams | B Major | 2 | 1B | 160 BPM | ||
| We Share The Same Passions (Part I: The Trip To Cuba/Part II: The Same Passions) | Éric Serra | B Major | 2 | 1B | 175 BPM | ||
| Main Title | Trevor Jones | D Minor | 3 | 7A | 93 BPM | ||
| Ritorno di Jane | Claudio Capponi, Alessio Vlad | D Major | 2 | 10B | 82 BPM | ||
| The Anvil Of Crom - Main Title Conan The Barbarian | Steven Scott Smalley | G Minor | 5 | 6A | 120 BPM | ||
| Matriz | Vexel Mode | D Major | 3 | 10B | 94 BPM | ||
| Pita's Sorrow | Harry Gregson-Williams | F Minor | 0 | 4A | 71 BPM | ||
| Rematch, Pt. 2 | Rob Simonsen | F Major | 3 | 7B | 90 BPM | ||
| Almost Martyrs (from the film 'The Life of David Gale ') | Silver Screen Sound Machine | A Minor | 0 | 8A | 78 BPM | ||
| On the Lake | Aaron Zigman | C Major | 0 | 8B | 58 BPM | ||
| Up the Mountain | Vince DiCola | A♭ Major | 8 | 4B | 136 BPM | ||
| Dias Mas Tarde | Las Eternas | B♭ Minor | 2 | 3A | 88 BPM | ||
| The Orgy Conan The Barbarian | Steven Scott Smalley | C Major | 3 | 8B | 173 BPM | ||
| Midway Main Theme | Thomas Wander, Harald Kloser | G Major | 1 | 9B | 175 BPM | ||
| Atreju's Quest | Klaus Doldinger | A♭ Major | 3 | 4B | 48 BPM | ||
| The Londonderry Air / Front Titles (Memphis Belle) | George Fenton | E♭ Major | 1 | 5B | 71 BPM | ||
| The Fight (Instrumental) - From "Over The Top" Soundtrack | Giorgio Moroder | D Major | 6 | 10B | 94 BPM | ||
| The Impossible Main Titles | Fernando Velázquez | C Minor | 1 | 5A | 79 BPM | ||
| The Ronin Myth | Elia Cmiral | C Major | 1 | 8B | 78 BPM | ||
| Main Title | Jerry Goldsmith | F Major | 3 | 7B | 80 BPM | ||
| Pretty Woman - He Sleeps - James Newton Howard | Laruan, Jessica Grzenia | G Major | 2 | 9B | 83 BPM | ||
| Seducing Hayes / Frances and Gephart | John Debney | C Major | 1 | 8B | 143 BPM |