"Beowolf: VII. When Hrothgar Arrived" by Cheryl Frances-Hoad, Jennifer Johnston, Alisdair Hogarth had its release date on July 28, 2014. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Beowolf: VII. When Hrothgar Arrived's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 27 in Frances-Hoad: You Promised Me Everything by Cheryl Frances-Hoad, Choir of Gonville & Caius College, Cambridge, Jennifer Johnston, Joseph Middleton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Beowolf: VII. When Hrothgar Arrived is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beowolf: VII. When Hrothgar Arrived by Cheryl Frances-Hoad, Jennifer Johnston, Alisdair Hogarth is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 2 Shakespeare Songs: No. 1, Tomorrow Is Saint Valentine's Day | Cheryl Frances-Hoad, Caroline MacPhie, Joseph Middleton | G Major | 1 | 9B | 66 BPM | ||
| Regem, cui omnia vivunt – Venite, exsultemus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| Tykus tykus | Vaclovas Augustinas, En Kör | C Major | 1 | 8B | 82 BPM | ||
| Kronstorfer Messe in D Minor, WAB 146: IV. Agnus Dei | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
| Retire My Soul | William Byrd, Stile Antico | D Minor | 1 | 7A | 58 BPM | ||
| The Bread of Life: Our Father | Bob Chilcott, Wellensian Consort, Christopher Finch | A♭ Major | 0 | 4B | 75 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| You Through Me: You Through Me | Alex Berko, Conspirare, Miró Quartet, Michael Jones, Craig Hella Johnson | E Major | 2 | 12B | 95 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
| Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | F♯ Minor | 0 | 11A | 88 BPM | ||
| The Passing of the Year: No. 2, The narrow bud opens her beauties to the sun | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | F♯ Minor | 0 | 11A | 138 BPM | ||
| The Passing of the Year: No. 5, Ah, Sun-flower! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | A Minor | 0 | 8A | 69 BPM | ||
| Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | ||
| Sei nun wieder zufrieden, meine Seele (Psalm 116) | Andreas Hammerschmidt, Martin Platz, Wolfgang Katschner, Lautten Compagney | F♯ Minor | 0 | 11A | 88 BPM | ||
| King David (Arr. Farrington for Mixed Choir & Piano) | Herbert Howells, IKON, David Hill, Iain Farrington | G Major | 1 | 9B | 128 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | F♯ Minor | 0 | 11A | 88 BPM | ||
| Hashir Hashem Luchem | Jay Anthony Gach, Kühn Choir Of Prague, Jakub Pikla | G Major | 1 | 9B | 132 BPM | ||
| The Sun Never Says | Dan Forrest, The Elora Singers, Mark Vuorinen, Mary-Catherine Finch | A♭ Major | 1 | 4B | 179 BPM | ||
| Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | F♯ Minor | 0 | 11A | 88 BPM | ||
| Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
| The Thought Machine: V. New Moon | Cheryl Frances-Hoad, Sophie Daneman, Mark Stone, Sholto Kynoch | G Major | 3 | 9B | 98 BPM | ||
| Even You Song: XIV. Organ Voluntary "Taking Your Leave" | Cheryl Frances-Hoad, Peterborough Cathedral Choir, St. Augustine's Junior School Choir, Bishop Creighton Academy Choir, West Town Primary Academy Choir, William Law CE Primary School Choir, David Humphreys, Steven Grahl | G Major | 1 | 9B | 71 BPM |