"Bridget Jones's Theme" by Craig Armstrong had its release date on October 7, 2016. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 20 in Bridget Jones’s Baby (Original Motion Picture Score) by Craig Armstrong. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Bridget Jones's Theme is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bridget Jones's Theme by Craig Armstrong is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sabine | Peter Gregson | C Minor | 0 | 5A | 90 BPM | ||
| Images Of The Past | Gabriel Yared | C Minor | 2 | 5A | 71 BPM | ||
| Solo en Casa / La Llegada de Papá | Fernando Velázquez | A♭ Major | 1 | 4B | 78 BPM | ||
| The White Whale Chant | Roque Baños | A♭ Major | 2 | 4B | 78 BPM | ||
| The Origins of Time | Jóhann Jóhannsson | C Major | 0 | 8B | 75 BPM | ||
| Ampura | Lorne Balfe | C Major | 3 | 8B | 89 BPM | ||
| Maestro | Hans Zimmer | C Major | 2 | 8B | 149 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
| Remembering Marilyn | Lang Lang, Conrad Pope | F Major | 0 | 7B | 73 BPM | ||
| Return To Work | Dustin O'Halloran | E Major | 0 | 12B | 120 BPM | ||
| Emily's Chemo | Mark McKenzie | B♭ Major | 0 | 6B | 70 BPM | ||
| Elizabeth's Dance | Guy Farley | F Major | 2 | 7B | 97 BPM | ||
| The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM | ||
| The Music Comes From the Heavens | Peter Gregson | B♭ Major | 1 | 6B | 138 BPM | ||
| He Looked So Happy | Fernando Velázquez | C Minor | 1 | 5A | 77 BPM | ||
| Daisy, Daisy | Jóhann Jóhannsson | A Minor | 1 | 8A | 118 BPM | ||
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| The Duchess | Rachel Portman | G Major | 2 | 9B | 116 BPM | ||
| Theresa | Gabriel Yared | D Minor | 2 | 7A | 82 BPM | ||
| Photo | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| Searching For Skip | William Ross | D♭ Major | 1 | 3B | 134 BPM | ||
| The Rain | Maurizio Malagnini | G Major | 2 | 9B | 89 BPM | ||
| The True Meaning of Love | Maurizio Malagnini | F Major | 1 | 7B | 175 BPM | ||
| Rose Leaves Greg | The Mirror Has Two Faces (Soundtrack) | E♭ Major | 1 | 5B | 101 BPM |