"Evil Morty Theme (For the Damaged Coda) - Piano Rendition" by The Blue Notes had its release date on August 13, 2018. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Evil Morty Theme (For the Damaged Coda) - Piano Rendition's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Piano TV Covers - Vol. 2". In this album, this song's track order is #5. Based on our statistics, Evil Morty Theme (For the Damaged Coda) - Piano Rendition's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Evil Morty Theme (For the Damaged Coda) - Piano Rendition by The Blue Notes having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There's No Coming Back from This | Dorian Marko | G Minor | 2 | 6A | 122 BPM | ||
| Not Tomorrow (From "Silent Hill") | Rod Herold | B♭ Major | 6 | 6B | 170 BPM | ||
| Debussy - Claire De Lune | Martin Bloch | D♭ Major | 0 | 3B | 74 BPM | ||
| Victor's Piano Solo | Danny Elfman | D♭ Minor | 0 | 12A | 142 BPM | ||
| Unwavering Emotions | Brandon Mild | A Major | 0 | 11B | 87 BPM | ||
| Death Image (Death Note) | JaianMusic | C Major | 2 | 8B | 123 BPM | ||
| Fortnite - Season 1 & 2 Menu Music - Piano Rendition | The Blue Notes | A Major | 1 | 11B | 100 BPM | ||
| This Is America - Piano Rendition | The Blue Notes | B♭ Major | 2 | 6B | 116 BPM | ||
| Tales from the Loop | Philip Glass, Paul Leonard-Morgan | B Minor | 1 | 10A | 150 BPM | ||
| Cloak and Dagger | Eternal Eclipse | A Major | 7 | 11B | 100 BPM | ||
| Detroit: Become Human Character Medley | The Blue Notes | C Minor | 1 | 5A | 88 BPM | ||
| The Last of Us | Gustavo Santaolalla | E Minor | 5 | 9A | 155 BPM | ||
| There You Are | Final Space | F Minor | 2 | 4A | 135 BPM | ||
| Howl's Moving Castle theme | KayThePianist, Luke Pickman | G Minor | 1 | 6A | 170 BPM | ||
| Dream Within Dreams | Ian Livingstone | E Minor | 0 | 9A | 105 BPM | ||
| Cold | Jorge Miguel Méndez Medina, Jorge Méndez | C Minor | 2 | 5A | 80 BPM | ||
| Stitcher's Sorrow (Sea of Thieves) [Remake] | Juke Remix | D♭ Minor | 2 | 12A | 110 BPM | ||
| Suite for Variety Orchestra: VII. Waltz No. 2 - Arr. for Two Cellos | Dmitri Shostakovich, Mr & Mrs Cello | B♭ Minor | 2 | 3A | 102 BPM | ||
| Portal 2 - Cara Mia Addio | Vitamin String Quartet | B♭ Major | 1 | 6B | 98 BPM | ||
| Damned from "Call of Duty: Black Ops - Zombies" - Crazy Piano Version | NPT Music | D Minor | 4 | 7A | 96 BPM | ||
| Spirited Away (Reprise) | KayThePianist, Maria Cozzani | G Major | 1 | 9B | 91 BPM | ||
| Little Nightmares II (Main Theme) | Tobias Lilja | A Major | 2 | 11B | 90 BPM | ||
| Heart of the Warrior | Lionel Yu | F Minor | 4 | 4A | 102 BPM | ||
| Greatest Change | Jeremy Tai, Zlatomir Fung | B Minor | 2 | 10A | 84 BPM | ||
| I Remember My Name | jung jaeil | F Major | 0 | 7B | 64 BPM |