Jean-Philippe Rameau, Ensemble Pygmalion, Raphael Pichon's ' "Castor et Pollux, RCT 32: Ouverture" was released on its scheduled release date, April 27, 2015. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 77 in the song's album "Rameau: Castor et Pollux". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Castor et Pollux, RCT 32: Ouverture is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Castor et Pollux, RCT 32: Ouverture by Jean-Philippe Rameau, Ensemble Pygmalion, Raphael Pichon having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
| Sonata in B Minor, K.27: Allegro | Domenico Scarlatti, Daria van den Bercken | D Major | 1 | 10B | 130 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: III. Sarabande | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 79 BPM | ||
| Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
| Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
| Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
| Les Indes galantes: Air des Sauvages | Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe | F♯ Minor | 2 | 11A | 85 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
| Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
| Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
| Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Lully: Ballet des muses, LWV 32: Air. "Trop indiscret Amour" (Euridice) | Jean-Baptiste Lully, Les Arts Florissants, William Christie, Sophie Daneman | F Minor | 1 | 4A | 71 BPM | ||
| Les Boréades / Act IV: Entrée de Polymnie - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | G Major | 1 | 9B | 94 BPM | ||
| Prelude in B minor | Johann Sebastian Bach/Alexander Siloti, James Rhodes | B Minor | 1 | 10A | 114 BPM | ||
| Anacréon - original version / Scene 1: "Règne, ô divin Bacchus!" - "Que le transport de ton ivresse" (Anacréon) | Jean-Philippe Rameau, Thierry Felix, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | E♭ Major | 1 | 5B | 106 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Oboe Concerto in F Minor, TWV 51:F2: II. Largo | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 1 | 9A | 82 BPM | ||
| Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
| Concerto in F Major, Seibel 234: 3. Un poco Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | ||
| Symphony No. 1 in B-Flat Major, Op. 2: I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
| Scarlatti, D: Keyboard Sonata in B Minor, Kk. 27 | Domenico Scarlatti, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Zelenka: Laetatus sum, ZWV 90: V. Gloria. Adagio | Jan Dismas Zelenka, Jakub Józef Orliński, Fatma Said, Francesco Corti, Il Pomo D'oro | B♭ Minor | 3 | 3A | 66 BPM | ||
| Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
| Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM | ||
| Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 168 BPM |