Rita Reys, Pim Jacobs Combo's ' "One Note Samba" was released on its scheduled release date, 1969. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Relax With Rita & Pim". In this album, this song's track order is #15. Based on our statistics, One Note Samba's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With One Note Samba by Rita Reys, Pim Jacobs Combo having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ruby Trace | Dusk in Bloom | B♭ Major | 4 | 6B | 121 BPM | ||
| Citylight Harmonics | Lorin Bradd | C Major | 3 | 8B | 127 BPM | ||
| Too Close For Comfort | Rita Reys, Pim Jacobs Trio | A♭ Major | 2 | 4B | 166 BPM | ||
| Aviary Sweetshop | Misty Waves | G Minor | 3 | 6A | 128 BPM | ||
| Everybody's Talkin' | Kat Ellis Ensemble | C Major | 3 | 8B | 127 BPM | ||
| Sienna Terrace | uuunderwater | F♯ Minor | 2 | 11A | 77 BPM | ||
| Penstroke Arbor | Monochrome Silence | G Minor | 3 | 6A | 69 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| Poker Stand | Night Toy Orchestra | C Minor | 3 | 5A | 84 BPM | ||
| Terrace d’Autunno | Crying Mirror | G Minor | 2 | 6A | 69 BPM | ||
| Theatre Lobby | The Pastel Hour | E♭ Major | 3 | 5B | 76 BPM | ||
| Letter Drawer | JazZoo | G Major | 2 | 9B | 78 BPM | ||
| Tropical Brass | The Sunny Sides | E♭ Major | 4 | 5B | 99 BPM | ||
| Slate Conservatory | Polaroid Sessions | G Minor | 2 | 6A | 69 BPM | ||
| How Little We Know | Susannah McCorkle | D♭ Major | 2 | 3B | 121 BPM | ||
| The Boy From Ipanema | Rita Reys, Pim Jacobs Trio | C Major | 3 | 8B | 97 BPM | ||
| Charcoal Sketch | Still Geometry Jazz | B♭ Major | 4 | 6B | 80 BPM | ||
| Hey Baby, Cool! (feat. Count Basie Orchestra) | Viktor Lazlo, Count Basie Orchestra | D Major | 2 | 10B | 92 BPM | ||
| Prelude at Marais | marss ala | E♭ Major | 3 | 5B | 73 BPM | ||
| Summertime | Rita Reys, Pim Jacobs Trio | F Minor | 1 | 4A | 122 BPM | ||
| Paper Airplanes | Sherbourne Rivers | F Major | 4 | 7B | 77 BPM | ||
| Copper Arcade Waltz | marss ala | F Major | 3 | 7B | 69 BPM | ||
| Frieze Panel | Fireside Jazz | D Minor | 2 | 7A | 82 BPM | ||
| Backroom Serenade | Polaroid Sessions | C Minor | 2 | 5A | 72 BPM | ||
| Prelude to a Kiss | Ewan Bleach Quartet | F Major | 1 | 7B | 71 BPM |