"Every Faint Rustle" by Shrunken Elvis, Rich Ruth, Spencer Cullum, Sean Thompson's Weird Ears had its release date on September 5, 2025. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Shrunken Elvis". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Every Faint Rustle's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Every Faint Rustle by Shrunken Elvis, Rich Ruth, Spencer Cullum, Sean Thompson's Weird Ears having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Basketball Court | Lia Kohl, Macie Stewart | C Major | 2 | 8B | 180 BPM | ||
| For Dancing in Quiet Light | Luke Schneider | C Major | 2 | 8B | 68 BPM | ||
| Weather Report I | Nico Georis | B Major | 4 | 1B | 184 BPM | ||
| Sada No Umi | Go Kurosawa | B♭ Minor | 5 | 3A | 117 BPM | ||
| thirtyonecircles /// soft shoulder(s) confluence near second mesa | elijah jamal asani | C Major | 3 | 8B | 168 BPM | ||
| Loose Changes 2 | Ben Hackett | D Major | 3 | 10B | 128 BPM | ||
| Mute | U.e., Ulla | F♯ Major | 0 | 2B | 61 BPM | ||
| The Ba | Natural Information Society | D♭ Major | 2 | 3B | 109 BPM | ||
| Legends | Wilson Tanner | E♭ Major | 1 | 5B | 91 BPM | ||
| Tender of Land | M. Sage | D♭ Major | 3 | 3B | 76 BPM | ||
| conditional love | claire rousay | F♯ Minor | 7 | 11A | 57 BPM | ||
| Siren song | h. pruz | E♭ Major | 2 | 5B | 136 BPM | ||
| The House Party Went On So Long We Talked and Drank and Played Music til The Morning | Dylan Henner | A Minor | 3 | 8A | 176 BPM | ||
| Echo's refrain | Arp, Takuma Watanabe | E♭ Major | 2 | 5B | 81 BPM | ||
| Tana | Joe Harvey-Whyte, Geir Sundstøl, Anders Engen, Erland Dahlen | C Major | 3 | 8B | 168 BPM | ||
| Two Ruffys | Jim White | C Major | 4 | 8B | 106 BPM | ||
| To the Hour | MJ Guider | A Minor | 4 | 8A | 131 BPM | ||
| Sono | Ida Urd, Ingri Høyland | D♭ Major | 2 | 3B | 73 BPM | ||
| Les veines noires de son cou | Louis Matute | C Major | 3 | 8B | 168 BPM | ||
| Movement #1 | Misha Panfilov | A Minor | 2 | 8A | 77 BPM | ||
| Suspension of Swallowed Earth | Kara-Lis Coverdale | E♭ Major | 0 | 5B | 80 BPM | ||
| Nagoya | Emily A. Sprague | D Major | 0 | 10B | 78 BPM | ||
| Harkerville Coastal Trail | Ozbolt | F Minor | 2 | 4A | 143 BPM | ||
| Sunset Over Stanlow | Warrington-Runcorn New Town Development Plan | D♭ Major | 3 | 3B | 114 BPM | ||
| Solid Air | Julian Lage, John Medeski, Jorge Roeder, Kenny Wollesen | C Major | 3 | 8B | 168 BPM |