String Quartet in E Major, Hob.III:25, (Op.17 No.1): 3. Adagio by Joseph Haydn, The Angeles String Quartet Song Details

"String Quartet in E Major, Hob.III:25, (Op.17 No.1): 3. Adagio" by Joseph Haydn, The Angeles String Quartet had its release date on January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, The Angeles String Quartet's "Haydn: Complete String Quartets" album is number 11 out of 280. On top of that, United Kingdom appears to be the country where this track was created. String Quartet in E Major, Hob.III:25, (Op.17 No.1): 3. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of String Quartet in E Major, Hob.III:25, (Op.17 No.1): 3. Adagio by Joseph Haydn, The Angeles String Quartet to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 7%
Loudness: -16.943 dB
Acousticness: 99%
Danceability: 17%
Energy: 12%
Instrumentalness: 93%
Liveness: 15%
Loudness: 72%
Speechiness: 4%
Valence: 6%

Recommendations

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Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie	Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick	B♭ Major	2	6B	99 BPM
Symphony in D Major, Op. 18, No. 2: III. Minuetto e trio	Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel	D Major	0	10B	126 BPM
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String Quartet No. 63 in B-Flat Major, Op. 76 No. 4, Hob. III:78 "Sunrise": I. Allegro con spirito	Joseph Haydn, Kodály Quartet	B♭ Major	2	6B	137 BPM
La cambiale di matrimonio: Overture	Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner	E♭ Major	1	5B	140 BPM
Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro	Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester	E Major	1	12B	114 BPM
Concerto grosso in G Major, Op. 6 No. 1, HWV 319: II. Allegro	George Frideric Handel, Iona Brown, Academy of St. Martin in the Fields	D Major	4	10B	134 BPM
Symphony in G Minor, Op. 22 No. 3, P. I:5: III. Presto	Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec	G Minor	1	6A	143 BPM
Overture in D Major, Op. 8, No. 6: II. Andante	Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon	G Major	1	9B	106 BPM
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Sonatina, Op. 100: Scherzo. Molto vivace	Antonín Dvořák, Josef Suk, Alfréd Holeček	G Major	2	9B	131 BPM
Mass No. 13 in B-Flat Major, Hob. X XII:13 "Schöpfungsmesse": Agnus Dei: Agnus Dei	Joseph Haydn, Nacole Palmer, Nina Faia, Kirsten Sollek, Daniel Mutlu, Matthew Hensrud, Andrew Nolen, Trinity Church Choir, New York, Rebel Baroque Orchestra, Jane Glover	B♭ Major	3	6B	81 BPM