"Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: III. Largo" by Alessandro Scarlatti, Europa Galante, Fabio Biondi had its release date on January 1, 2002. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: III. Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Scarlatti: Concerti e Sinfonie". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: III. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: III. Largo by Alessandro Scarlatti, Europa Galante, Fabio Biondi having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Organ Concerto No. 5 in F, Op. 4 No. 5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
| 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Atys, LWV 53, Prologue: Premier air pour la suite de Flore | Jean-Baptiste Lully, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 0 | 4A | 66 BPM | ||
| Pars III In A Minor: II. (unspecified ) (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | A♭ Minor | 1 | 1A | 115 BPM | ||
| Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | F♯ Major | 1 | 2B | 105 BPM | ||
| Sonata in D Major, Op. 6, No. 7: III. Adagio | Tomaso Albinoni, Ensemble Barocco Sans Souci | B♭ Minor | 0 | 3A | 52 BPM | ||
| Violin Concerto in A Major, DunL 1.5: III. Allegro - Andante - Allegro | Pietro Locatelli, Europa Galante, Fabio Biondi | A♭ Major | 1 | 4B | 123 BPM | ||
| Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 103 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 5 in C major: II. Adagio | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | A♭ Minor | 1 | 1A | 77 BPM | ||
| Suite in G Minor: V. Fantaisie en rondeau | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 91 BPM | ||
| Torelli : Concerto for Strings in G major Op.6 No.1 : III Adagio | Giuseppe Torelli, Ivor Bolton, St. James Baroque Players | F♯ Major | 0 | 2B | 79 BPM | ||
| Pièces à deux violes du Premier Livre, suite en ré mineur: VII. Menuet (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 1 | 12A | 87 BPM | ||
| Couperin, L: Les Carillons de Paris, G. 140 (Version à quatre parties du 1er Carillon) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Stabat mater: XVIII. Quando corpus ùorietur | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Concerto grosso No. 3 in D Minor: I. Largo andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 95 BPM | ||
| Violin Concerto in A Major, TWV 51:A4 "Die Relinge": III. Menuet – alternativement | Georg Philipp Telemann, Stephan Schardt, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 1 | 4B | 92 BPM | ||
| Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: II. Andante | Johann Friedrich Fasch, Il Gardellino | G Minor | 1 | 6A | 116 BPM | ||
| Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 142 BPM | ||
| Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM | ||
| Concert royaux, Quatrième concert in E Minor: V. Sarabande. Très tendrement | François Couperin, Lucie Horsch, Tom Foster | E Major | 0 | 12B | 89 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
| Io veggio i campi verdeggiar fecondi | Francesca Caccini, Shannon Mercer, Luc Beauséjour, Sylvain Bergeron, Amanda Keesmaat | F Major | 0 | 7B | 72 BPM | ||
| Purcell: Dido and Aeneas, Z. 626: Overture | Henry Purcell, Jupiter, Thomas Dunford | B Minor | 1 | 10A | 68 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 2 in C Minor: III. Minueto | Alessandro Scarlatti, Europa Galante, Fabio Biondi | B Minor | 1 | 10A | 110 BPM | ||
| Ouverture-Suite in B Minor, TWV 55:h4: VI. Menuet I - VII. Menuet II | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 1 | 3B | 76 BPM |