"Jam sauche" by Pierre de la Rue, Capilla Flamenca, Patrick Denecker had its release date on October 18, 1999. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 17 in A-La-Mi-Re Manuscripts (The): Flemish Polyphonic Treasures by Capilla Flamenca, Patrick Denecker. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Jam sauche is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jam sauche by Pierre de la Rue, Capilla Flamenca, Patrick Denecker is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata: III. Grave | Jacques Loeillet, Guy Penson, Patrick Denecker, Marcel Ponseele, Mirella Ruigrok, Georges Barthel, Stefanie Troffaes, Jan Bontinck | D♭ Major | 0 | 3B | 125 BPM | ||
| Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
| Alta [Danza Sobre La Spagna] | Eduardo Paniagua | A Minor | 3 | 8A | 105 BPM | ||
| Missa "l'Homme armé": II. Gloria | Pierre de la Rue, Ensemble Clément Janequin, Dominique Visse | B Major | 1 | 1B | 180 BPM | ||
| Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
| Fantasia in 6 parts (MB 48 No. 33) | Orlando Gibbons, Fretwork | C Minor | 1 | 5A | 72 BPM | ||
| Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
| Suite Of Dances In Medieval Fairs: Basso - Alemanda - Bura - Salad - alternate mix | Group Of Antique Instuments Diabolus | F Major | 3 | 7B | 92 BPM | ||
| The English Dancing Master: Parson's farewell | John Playford, The Broadside Band, Jeremy Barlow | A Minor | 3 | 8A | 130 BPM | ||
| Ungarescha | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Major | 2 | 10B | 137 BPM | ||
| Instrumental piece II | Hildegard von Bingen, Sequentia, Margriet Tindemans | C Major | 0 | 8B | 136 BPM | ||
| Lute Sonata No. 9: IV. Sarabanda | Giovanni Zamboni, Luciano Còntini | D♭ Major | 1 | 3B | 122 BPM | ||
| Amours amours amours | Antoine Busnois, Karl-Ernst Schröder, Crawford Young | G Major | 1 | 9B | 134 BPM | ||
| Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
| Ecco la primavera | Francesco Landini, Early Music Consort Of London, David Munrow | D Minor | 4 | 7A | 177 BPM | ||
| Todos los bienes del mundo | Juan del Encina, Accentus Ensemble, Thomas Wimmer | A Minor | 5 | 8A | 107 BPM | ||
| All in a garden green | Anon, Trinity Baroque, Martin Pope, Steven Player, Julian Podger, The Forbury Consort, The Holbein Consort, Alan Crumpler | G Major | 0 | 9B | 93 BPM | ||
| Tan m'abelis | Berenguier de Palou, Ensemble Celadon, Paulin Bundgen, Clara Coutouly | D♭ Major | 1 | 3B | 137 BPM | ||
| Autant en emporte le vent | Pierre de la Rue, Katelijne Van Laethem, Jan Caals, Jan Van Elsacker, Currende Consort | C Major | 0 | 8B | 98 BPM | ||
| Terpsichore (arr. H. Baumer): La Canarie | Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 1 | 9B | 105 BPM | ||
| Suite in C Minor from Ms. Lobkowicz: V. La volage Passacaille | Charles Mouton, Anders Ericson | B Minor | 1 | 10A | 103 BPM | ||
| Canzon la Gentile | Giovanni Paolo Cima, Harmonia Recorder Ensemble | C Major | 0 | 8B | 70 BPM | ||
| Wolauff, Gesell! | Oswald von Wolkenstein, La Reverdie | C Major | 2 | 8B | 114 BPM | ||
| Kanon | Johann Pachelbel, Ricercar Consort, Frédéric De Roos, Patrick Denecker | E Major | 0 | 12B | 40 BPM | ||
| Arpeggiata a mio modo (2004) | Stephen Stubbs | E♭ Minor | 0 | 2A | 84 BPM |