シネマサウンズ・オーケストラ's 'モア' had a release date set for April 6, 2011. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. モア's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 映画音楽夢コレクション EMOTION ~白い恋人たち~, so we believe that "モア" is a single. In terms of popularity, モア is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of モア by シネマサウンズ・オーケストラ is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ライムライト~テリーのテーマ | シネマサウンズ・オーケストラ | A Major | 4 | 11B | 79 BPM | ||
| ラヴ・ワールド - 映画『ワールド・オブ・エレガンス』より | ピエール・ポルト | E♭ Major | 5 | 5B | 103 BPM | ||
| Mammy Blue | Botticelli | C Minor | 3 | 5A | 120 BPM | ||
| いそしぎ | Frank Chacksfield Orchestra | E Minor | 3 | 9A | 172 BPM | ||
| めぐり逢い | Claude Ciari | B Major | 1 | 1B | 120 BPM | ||
| シャルメーヌ | マントヴァーニ楽団 | A Minor | 3 | 8A | 92 BPM | ||
| Schwarze Augen | Richard De Cluny | D Minor | 3 | 7A | 67 BPM | ||
| パリのめぐり逢い | シネマサウンズ・オーケストラ | D Major | 3 | 10B | 84 BPM | ||
| En el Yate | Mauricio Redondos | A Minor | 3 | 8A | 105 BPM | ||
| narcissus | Norman Candler, Mladen Franko | B♭ Major | 3 | 6B | 84 BPM | ||
| 屋根の上のバイオリン弾き~サンライズ・サンセット | シネマサウンズ・オーケストラ | E♭ Minor | 3 | 2A | 115 BPM | ||
| 駅馬車 「駅馬車」より | Royal Pops Orchestra | C Major | 4 | 8B | 208 BPM | ||
| いい日旅立ち | 河村利夫 | D Minor | 1 | 7A | 100 BPM | ||
| タラのテーマ | マックス スタイナー楽団 | F Major | 4 | 7B | 81 BPM | ||
| 恋する瞳 (ラ・ブーム 2より) | スクリーン・サウンド・アート・オーケストラ | G Major | 4 | 9B | 167 BPM | ||
| Anonimo Veneziano | Alain Patrick | A Major | 4 | 11B | 80 BPM | ||
| ムーラン・ルージュの唄 | マントヴァーニ | G Major | 2 | 9B | 68 BPM | ||
| 禁じられた遊び | シネマサウンズ・オーケストラ | E Minor | 1 | 9A | 74 BPM | ||
| 荒野の1ドル銀貨 | シネマサウンズ・オーケストラ | D♭ Major | 3 | 3B | 101 BPM | ||
| 哀愁のアダージョ | レイモン・ルフェーヴル・グランド・オーケストラ | F Major | 3 | 7B | 165 BPM | ||
| Cri d'amour | Pierre Porte | A♭ Major | 4 | 4B | 145 BPM | ||
| That's the Way I Always Heard It Should Be | John Fox | C Minor | 2 | 5A | 132 BPM | ||
| ある愛の詩 | フィルム・スタジオ・オーケストラ | B♭ Minor | 3 | 3A | 96 BPM | ||
| A Través de los Años (As Time Goes By) | Sounds Unlimited Orchestra & The London Philarmonic Orchestra | D Minor | 3 | 7A | 79 BPM | ||
| アルハンブラの思い出 | ハンス・ゲルバー・オーケストラ | A Major | 3 | 11B | 172 BPM |