"Collegium Regale Service, Communion: II. Credo" by Herbert Howells, Stephen Layton, Eleanor Kornas, The Choir Of Trinity College, Cambridge, Jonathan Pacey had its release date on April 1, 2016. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in Herbert Howells, Stephen Layton, The Choir Of Trinity College, Cambridge's "Howells: Collegium Regale & Other Choral Works" album is number 7 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Collegium Regale Service, Communion: II. Credo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Collegium Regale Service, Communion: II. Credo by Herbert Howells, Stephen Layton, Eleanor Kornas, The Choir Of Trinity College, Cambridge, Jonathan Pacey to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 124 BPM | ||
| E'en So, Lord Jesus, Quickly Come (feat. Paul Manz) | The National Lutheran Choir, Paul Manz | B♭ Minor | 1 | 3A | 94 BPM | ||
| Messe Solennelle, Op. 16 - Agnus Dei | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A♭ Major | 1 | 4B | 135 BPM | ||
| Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | ||
| Blessed Be That Maid Mary | St Martin's Voices | F Major | 1 | 7B | 88 BPM | ||
| Rorarte caeli desuper | William Byrd, Choir of Merton College, Oxford, Peter Phillips | D Minor | 2 | 7A | 135 BPM | ||
| 7 Magnificat Antiphons: No. 1. O Weisheit | Arvo Pärt, Junger Kammerchor Rhein-Neckar, Mathias Rickert | D Major | 0 | 10B | 73 BPM | ||
| The Earthly Rose | Ēriks Ešenvalds, Stephen Layton, The Choir Of Trinity College, Cambridge | C Minor | 1 | 5A | 176 BPM | ||
| 5 Lieder, Op. 49: No. 4, Wiegenlied "Guten Abend, gut Nacht" (Transcr. Gottwald for Choir) | Johannes Brahms, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 104 BPM | ||
| The Lord Bless You and Keep You | Paul Mealor, The Same Stream, James Jordan | D♭ Major | 0 | 3B | 72 BPM | ||
| Burial Sentences: I. I Am The Resurrection | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | D Minor | 1 | 7A | 75 BPM | ||
| St. Patrick's Eucharist (Version for Choir & Organ): V. Agnus Dei | Philip Stopford, The Ecclesium Choir, Tristan Russcher | D Major | 0 | 10B | 105 BPM | ||
| I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Holy Spirit Mass: Fount of Life | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | D♭ Major | 1 | 3B | 85 BPM | ||
| Psalm 23: The Lord Is My Shepherd (Goss) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 67 BPM | ||
| He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 70 BPM | ||
| The Crimson Sun | Alexander Campkin, Apollo5 | F Major | 1 | 7B | 82 BPM | ||
| Paean for Organ | Herbert Howells, Iain Farrington | D Major | 1 | 10B | 56 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Vexilla regis, WAB 51 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 130 BPM | ||
| Inventions for Choir: No. 2, The Duchess | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr | F Major | 2 | 7B | 89 BPM | ||
| Alleluia | Ivo Antognini, BYU Singers, Andrew Crane | F Major | 0 | 7B | 91 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| The Lord's Prayer | John Sheppard, Stile Antico | A♭ Major | 1 | 4B | 80 BPM |