"Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 14, Scene. Allegro con spirito" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra had its release date on January 1, 1974. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 14, Scene. Allegro con spirito is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 14, Scene. Allegro con spirito by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3 in C Minor, Op. 78 "Organ": Presto | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | F Minor | 2 | 4A | 125 BPM | ||
| La bayadère: Variation 4: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 4 | 6B | 124 BPM | ||
| Symphony No.4 in D Minor, Op.13, B.41: 2. Andante sostenuto e molto cantabile | Antonín Dvořák, London Symphony Orchestra, István Kertész | D Major | 1 | 10B | 125 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | D Minor | 0 | 7A | 126 BPM | ||
| Variations On An Original Theme (enigma), Op. 36 | Edward Elgar, London Symphony Orchestra, Eduardo Mata | D Major | 3 | 10B | 82 BPM | ||
| Old Norwegian Romance, Op. 51: Tempo di Valse | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 75 BPM | ||
| Faust, CG 4, Ballet Music: VI. Variations du miroir. Allegretto | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
| Giselle: Andante | Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra | D Major | 0 | 10B | 122 BPM | ||
| The Sleeping Beauty, Op. 66, Act I: No. 7, Scene. The 4 Princes | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti | A Minor | 2 | 8A | 126 BPM | ||
| The Sleeping Beauty, Op. 66, Act III: No. 23, Pas de quatre. a. Intrada. Allegro non tanto | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti | B♭ Major | 2 | 6B | 44 BPM | ||
| Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 73 BPM | ||
| The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | D♭ Major | 0 | 3B | 87 BPM | ||
| Scheherazade, Op. 35: III. The Young Prince and the Young Princess. Andantino quasi allegretto | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 84 BPM | ||
| Daphnis et Chloé, M. 57, Pt. 2: VIII. Danse guerrière | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Major | 1 | 3B | 94 BPM | ||
| Don Quixote, Act 3: Coda (Arr. John Lanchbery) | John Lanchbery, Ludwig Minkus, State Orchestra Of Victoria | A Major | 4 | 11B | 146 BPM | ||
| The Gadfly Suite, Op. 97a, XI. Scene | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 0 | 9B | 63 BPM | ||
| La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
| Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| La bayadère: Andantino | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| Billy the Kid: No. 6, Celebration | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | ||
| Daphnis et Chloé, M. 57, Pt. 3: XIa-b. Pantomime. Daphnis et Chloé miment l'aventure de Pan et de Syrinx | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F♯ Minor | 0 | 11A | 169 BPM | ||
| Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
| Paquita: Adagio | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 84 BPM | ||
| Symphony No. 6 in D Major, Op. 60: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 82 BPM |