Tommy Green's ' "Living in the Written Word" was released on its scheduled release date, 2011. This song appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Religio-cide". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of Living in the Written Word is currently unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Living in the Written Word by Tommy Green having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Letting Go | Unearth | C Major | 8 | 8B | 142 BPM | ||
| Idols and Anchors | Parkway Drive | E Major | 9 | 12B | 158 BPM | ||
| Failure | War Of Ages | C Minor | 10 | 5A | 95 BPM | ||
| Codex | Veil Of Maya | G Major | 9 | 9B | 95 BPM | ||
| They Don't Call It the South for Nothing | Of Mice & Men | D♭ Major | 9 | 3B | 150 BPM | ||
| Indictment | All That Remains | G Major | 10 | 9B | 97 BPM | ||
| I could be the one | Tommy Green | B Minor | 7 | 10A | 128 BPM | ||
| Watcher | Bury Tomorrow | F♯ Minor | 10 | 11A | 165 BPM | ||
| Resilience | As I Lay Dying | G Minor | 10 | 6A | 148 BPM | ||
| Romance Is Dead | Parkway Drive | F♯ Minor | 9 | 11A | 147 BPM | ||
| There Is No Tomorrow | Enterprise Earth | D Minor | 10 | 7A | 119 BPM | ||
| Alter of Self | Suicide Silence | D♭ Major | 10 | 3B | 107 BPM | ||
| Revelations | The Crimson Armada | D♭ Major | 10 | 3B | 131 BPM | ||
| Eye of the Storm | Killswitch Engage | A♭ Major | 10 | 4B | 76 BPM | ||
| Big Wiggly Style | The Devil Wears Prada | C Major | 10 | 8B | 151 BPM | ||
| Reinventing the Noose | Himsa | F Minor | 10 | 4A | 120 BPM | ||
| Subverse | This Or The Apocalypse | D♭ Minor | 10 | 12A | 140 BPM | ||
| The Final Words | The Crimson Armada | F Minor | 10 | 4A | 150 BPM | ||
| Heat | Upon A Burning Body | D Minor | 10 | 7A | 143 BPM | ||
| A Dance With Aera Cura | Miss May I | D♭ Minor | 10 | 12A | 115 BPM | ||
| Automatic Motion | Born Of Osiris | D♭ Major | 9 | 3B | 130 BPM | ||
| Cursing Akhenaten | After The Burial | D♭ Major | 10 | 3B | 80 BPM | ||
| The Bird and the Snake | Wolves At The Gate | A Minor | 10 | 8A | 140 BPM | ||
| Sink or Swim | Feed Her to the Sharks | A♭ Major | 9 | 4B | 100 BPM | ||
| Vaalbara | ERRA | B♭ Minor | 9 | 3A | 196 BPM |