Mark Watson's ' "Beginning Therapy" was released on its scheduled release date, March 11, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Flaws by Mark Watson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Beginning Therapy is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Beginning Therapy by Mark Watson is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Behind The Scenes | Jimmy Carr | E♭ Minor | 6 | 2A | 113 BPM | ||
| Grade One | Randy Feltface | B♭ Minor | 9 | 3A | 84 BPM | ||
| Cover Crops | Greg Warren | B Minor | 5 | 10A | 145 BPM | ||
| Pre-Sex Routine | Sarah Millican | D Major | 7 | 10B | 79 BPM | ||
| Apes & Language | Kitty Flanagan | F Minor | 10 | 4A | 97 BPM | ||
| New Zealand | Ed Byrne | G Major | 7 | 9B | 80 BPM | ||
| Glamour Models | Katherine Ryan | D♭ Major | 1 | 3B | 79 BPM | ||
| A Sudden Descent Into Mime | Dara O Briain | F♯ Minor | 7 | 11A | 134 BPM | ||
| Birmingham | Joe Lycett | D♭ Minor | 8 | 12A | 111 BPM | ||
| Where We Are | Christopher Titus | F♯ Minor | 8 | 11A | 143 BPM | ||
| The Bar (Article 2) | Colin Quinn | D♭ Major | 4 | 3B | 87 BPM | ||
| Planned vs. Unplanned | Chris Distefano | D Major | 8 | 10B | 113 BPM | ||
| Telford | Tom Rhodes | F♯ Major | 6 | 2B | 75 BPM | ||
| America | Milton Jones | D♭ Minor | 5 | 12A | 94 BPM | ||
| Sociopaths Are Made | Daniel Sloss | B Major | 4 | 1B | 87 BPM | ||
| Hefty Wife | Jethro | A Major | 3 | 11B | 119 BPM | ||
| Bloed | Patrick Laureij | D♭ Minor | 3 | 12A | 88 BPM | ||
| UK Cities | Milton Jones | D♭ Major | 5 | 3B | 109 BPM | ||
| The Eye Operation | Craig Ferguson | A Major | 7 | 11B | 117 BPM | ||
| I'm Not Recording This | Craig Ferguson | D Major | 8 | 10B | 79 BPM | ||
| Getting Old | John Bishop | D Major | 5 | 10B | 63 BPM | ||
| Room Service | Chad Thornsberry | F♯ Major | 7 | 2B | 88 BPM | ||
| Family | Tommy Tiernan | E Minor | 4 | 9A | 99 BPM | ||
| Interrogation! | Milton Jones | D♭ Major | 5 | 3B | 109 BPM | ||
| Stupid Accidents | Jack Dee | D Major | 8 | 10B | 164 BPM |