On June 5, 2004, the song "Mera Naam Hai Avinashi" was released by Tripti Shakya. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Tripti Shakya's "Jaahi Vidhi Rakhe Ram Tahi Vidhi Rahiye" album is number 5 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Mera Naam Hai Avinashi is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mera Naam Hai Avinashi by Tripti Shakya to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duniya Se Main Hara To Aaya Tere Dwar | Ankit Pathak | D♭ Major | 9 | 3B | 95 BPM | ||
| Sakhi Ri Mero Radha Raman | Sanatana Sankirtan, Shyam Bihari Das, JayShree | B♭ Major | 4 | 6B | 172 BPM | ||
| Hari Naam Nahi to Jina Kya | Devendra Pathak | A♭ Minor | 7 | 1A | 96 BPM | ||
| Aisa Damru Bajaya Bhole Nath Ne | Mishra Bandhu | F♯ Minor | 7 | 11A | 126 BPM | ||
| Mangal Bhawan Amangal Haari | chronically online | G Major | 5 | 9B | 79 BPM | ||
| Naseebo Se Zyaada | Raj Pareek | E♭ Major | 5 | 5B | 178 BPM | ||
| Nav Grah Mantra | Prem Prakash Dubey | A♭ Minor | 7 | 1A | 96 BPM | ||
| Jahan Radhe Naam Rasdhar | Devi Chitralekha, Bharat Kamal, Ravi Chopra | G Major | 4 | 9B | 116 BPM | ||
| Narmadashtak | Shahnaz Akhtar | F Major | 6 | 7B | 150 BPM | ||
| Hey Sharde Maa | Pamela Jain | D♭ Major | 6 | 3B | 130 BPM | ||
| Sabse Sundar Sapne Ram | Kumar Vishwas | A♭ Minor | 6 | 1A | 154 BPM | ||
| Jin Shashan Bada Nirala | Chetna, Pandit Sanjeev Jain | F♯ Major | 6 | 2B | 104 BPM | ||
| Door Na Hona Shambhu | Krishna Chaturvedi, Pankaj VRK | A♭ Minor | 7 | 1A | 82 BPM | ||
| Vrandavan Ke Baanke Bihari | Bhaiya Krishan Das Ji | F♯ Major | 5 | 2B | 92 BPM | ||
| Jisaki Lagi Re Lagan Bhagwan Main | Tripti Shakya | E Major | 5 | 12B | 104 BPM | ||
| Sawre KO Dil Me Basa Kar | Chitra Vichitra Ji Maharaj | B♭ Minor | 9 | 3A | 77 BPM | ||
| Baba Tu Itna Bata De | Sheetal Pandey | A Major | 7 | 11B | 146 BPM | ||
| Hamra Farmais Ke Sadi | Sunil Chhaila Bihari, Tripti Shakya | F Major | 8 | 7B | 81 BPM | ||
| Kishori Tere Charnan Ki Raj Pau | Govind Krsna Das | F♯ Major | 6 | 2B | 128 BPM | ||
| Aacha Lage Se Khatu Shyam | Naresh Narsi | C Major | 7 | 8B | 117 BPM | ||
| Kanha Barsane Mein Aa Jaiyo | Tripti Shakya | F♯ Major | 9 | 2B | 140 BPM | ||
| Radhe Radhe Rat Re | Gaurav Krishna Goswami | A Major | 9 | 11B | 150 BPM | ||
| Gaura ji ko Lene aye Bholenath Ji | Jeetu Sharma, Ankita Dash | E♭ Minor | 7 | 2A | 130 BPM | ||
| Shyam More Nainan Aage | Sadhhwi Purnima Ji | A♭ Minor | 8 | 1A | 116 BPM | ||
| Radhika Gori Se Biraj Ki Chhori Se | Anuja Sinha | E♭ Major | 6 | 5B | 154 BPM |