Savourna Stevenson's '1st Movement String Quintet - Come Try Me' had a release date set for January 1, 2000. This song is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Touch Me Like the Sun". In this album, this song's track order is #5. The popularity of 1st Movement String Quintet - Come Try Me is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 1st Movement String Quintet - Come Try Me by Savourna Stevenson having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flying Colours | Christopher Slaski | E Major | 3 | 12B | 103 BPM | ||
| Maybe Then I'll Be a Rose | Savourna Stevenson, Steve Kettley | F Major | 2 | 7B | 102 BPM | ||
| Chants d'Auvergne: Baïlèro | Joseph Canteloube, Julian Lloyd Webber, Charles Gerhardt | B♭ Major | 2 | 6B | 88 BPM | ||
| Riverdance, A Symphonic Suite: XI. Cloudsong, Riverdance | Bill Whelan, RTÉ National Symphony Orchestra, David Brophy | E Minor | 3 | 9A | 73 BPM | ||
| Chez Chanel | Alexandre Desplat | C Minor | 3 | 5A | 168 BPM | ||
| The Reunion | Trevor Kowalski | A♭ Major | 1 | 4B | 138 BPM | ||
| The Isle of Skye | Ian Post | A Major | 3 | 11B | 114 BPM | ||
| Chasing The Golfers | Rolfe Kent | D Major | 3 | 10B | 130 BPM | ||
| Move - US | Jonathan Elias | D♭ Minor | 3 | 12A | 120 BPM | ||
| L'abandon | Alexandre Desplat | B♭ Major | 0 | 6B | 88 BPM | ||
| Cutting the Chord | Savourna Stevenson, Steve Kettley | F Major | 2 | 7B | 102 BPM | ||
| Anna | Gunnar Madsen | D♭ Major | 1 | 3B | 142 BPM | ||
| Mr. Parks [Gosford Park - Original Motion Picture Soundtrack] | Patrick Doyle, Orchestra, James Shearman | C Major | 2 | 8B | 125 BPM | ||
| Such Good Luck - From “Downton Abbey” Soundtrack | John Lunn, The Chamber Orchestra Of London | G Major | 2 | 9B | 73 BPM | ||
| The L Train | Gabriel Yared | G Major | 1 | 9B | 78 BPM | ||
| Falling Colour | Vanbur | D Major | 3 | 10B | 144 BPM | ||
| Brideshead Revisited: No. 15, Contra Mundum | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E Minor | 1 | 9A | 79 BPM | ||
| Fashion | The Chamber Orchestra Of London | D Major | 3 | 10B | 136 BPM | ||
| Générique de fin | Gabriel Yared | D Major | 1 | 10B | 173 BPM | ||
| Adore | Christopher Gordon | D♭ Major | 2 | 3B | 109 BPM | ||
| The 'Cowch' | Hans Zimmer | C Major | 1 | 8B | 70 BPM | ||
| Arrival in Singapore | Brian Tyler | B♭ Major | 1 | 6B | 139 BPM | ||
| Nothing Matters Out Here | Sherri Chung | D Minor | 3 | 7A | 117 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| Tango Mafioso | Savourna Stevenson, Steve Kettley | F Minor | 3 | 4A | 112 BPM |