Sarah Steil's ' "Conversations" was released on its scheduled release date, March 25, 2022. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Conversations's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Conversations and no other songs are present in the album, we classify this track as a single. In terms of popularity, Conversations is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Conversations by Sarah Steil is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wet Cement | Natalie Carr | D♭ Major | 6 | 3B | 115 BPM | ||
| how are you real | Sarah Steil | E♭ Major | 7 | 5B | 165 BPM | ||
| A Man Written by a Woman | Whitney Whitney | E♭ Major | 7 | 5B | 165 BPM | ||
| Don't Change A Single Part | Ashe Lacey | B♭ Minor | 4 | 3A | 148 BPM | ||
| Want U Obsessed | Bela Pierce | A Minor | 8 | 8A | 170 BPM | ||
| Berlifornication Girl | Boelina | E♭ Major | 7 | 5B | 165 BPM | ||
| I Watched You Decide | MR BULDOG | E♭ Major | 7 | 5B | 165 BPM | ||
| Love in Reverse | Beat Drift | F♯ Minor | 4 | 11A | 133 BPM | ||
| I Used to Love Him | Karley Scott Collins | A Minor | 4 | 8A | 140 BPM | ||
| Backseat Driving | Laur Elle | D♭ Major | 4 | 3B | 136 BPM | ||
| Bring You Down | Eliza Harrison Smith | B♭ Major | 4 | 6B | 83 BPM | ||
| again & again | Alexa Kate | B Major | 2 | 1B | 87 BPM | ||
| I Would've Stayed | Alee | A Major | 6 | 11B | 94 BPM | ||
| Over The Phone | Delilah Brao | C Major | 4 | 8B | 88 BPM | ||
| See Me Cry | Rainsford | A Major | 6 | 11B | 96 BPM | ||
| What a Woman Tastes Like | Summer Overstreet | E♭ Major | 7 | 5B | 165 BPM | ||
| Daylight | Alina Rose Songwriting | E♭ Major | 7 | 5B | 165 BPM | ||
| Wanted a Cowgirl | Millie Go Lightly | B♭ Minor | 5 | 3A | 76 BPM | ||
| Broken | FRAN | D♭ Major | 3 | 3B | 85 BPM | ||
| Warning Signs | Sarah Steil | D♭ Major | 5 | 3B | 145 BPM | ||
| cry that it happened | Abbey Cone | C Major | 2 | 8B | 95 BPM | ||
| happier songs | Savanna Leigh | G Major | 7 | 9B | 112 BPM | ||
| Leave Your Flowers At Home | Scout Speer | F♯ Major | 3 | 2B | 97 BPM | ||
| The Other Guy | Tana Matz | F Major | 6 | 7B | 80 BPM | ||
| Because of You | Carly Rose | C Minor | 3 | 5A | 118 BPM |