On January 1, 1971, the song "Why Did It Have To Be Me" was released by Lee Conway. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 14 in Applewood Memoirs (People) by Lee Conway. In terms of popularity, Why Did It Have To Be Me is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Why Did It Have To Be Me by Lee Conway is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crazy Over You | Foster And Lloyd | B Minor | 5 | 10A | 128 BPM | ||
| You're Gonna Ruin My Bad Reputation - Re-Recorded In Stereo | Ronnie McDowell | E Major | 6 | 12B | 116 BPM | ||
| Mister Jones | Big Al Downing | B♭ Major | 7 | 6B | 89 BPM | ||
| Cornell Crawford | K.T. Oslin | D Major | 5 | 10B | 127 BPM | ||
| Hooked On Music | Mac Davis | E Major | 6 | 12B | 98 BPM | ||
| Mothers And Sons | Lee Conway | A Major | 6 | 11B | 87 BPM | ||
| Honky Tonkin' Fool | Doug Supernaw | E Major | 4 | 12B | 137 BPM | ||
| Pitty, Pitty, Patter | Susan Raye | F Major | 5 | 7B | 107 BPM | ||
| I Tell It Like It Used To Be | T. Graham Brown | D Major | 6 | 10B | 89 BPM | ||
| A Texas State Of Mind | David Frizzell, Shelly West | E Major | 3 | 12B | 132 BPM | ||
| Thinkin' of a Rendezvous - Single Version | Johnny Duncan | A Major | 6 | 11B | 127 BPM | ||
| Don't Let The Stars Get In Your Eyes | Boxcar Willie | E Major | 3 | 12B | 131 BPM | ||
| All the Gold In California | Larry Gatlin & The Gatlin Brothers | D Major | 4 | 10B | 113 BPM | ||
| Wabash Cannonball | Lee Conway | A Major | 5 | 11B | 116 BPM | ||
| Harper Valley P.T.A. - Remastered 2022 | Jeannie C. Riley | D Major | 3 | 10B | 100 BPM | ||
| Step That Step | Sawyer Brown | E Major | 5 | 12B | 98 BPM | ||
| Older Women - Re-Recorded In Stereo | Ronnie McDowell | B♭ Major | 6 | 6B | 89 BPM | ||
| Only Daddy That Will Walk the Line | Waylon Jennings and the Waylors | A♭ Major | 6 | 4B | 80 BPM | ||
| Freightliner Fever | Red Sovine | D Major | 8 | 10B | 86 BPM | ||
| Saginaw, Michigan | Lefty Frizzell | B♭ Major | 4 | 6B | 146 BPM | ||
| Woke Up In Love | Exile | E Major | 5 | 12B | 169 BPM | ||
| Wildwood Weed | Jim Stafford | G Major | 4 | 9B | 90 BPM | ||
| Desperado | Lee Conway | G Major | 1 | 9B | 80 BPM | ||
| An Old Greyhound | Hoyt Axton | A Major | 5 | 11B | 143 BPM | ||
| Touch The Morning | Don Gibson | D Major | 7 | 10B | 104 BPM |