On October 13, 1989, the song "Okate Tanuvantha" was released by S. P. Balasubrahmanyam, K. S. Chithra. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 6 in Bala Gopaludu by Raj-Koti. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Okate Tanuvantha's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Okate Tanuvantha by S. P. Balasubrahmanyam, K. S. Chithra is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gudu Gudu Gunjam | Sukhwinder Singh, Lalitha Sagari, Smitha | B Major | 6 | 1B | 90 BPM | ||
| Paduchu Bangarama | Mallikarjun, Sumangaly | F Minor | 7 | 4A | 88 BPM | ||
| Manasuloni Marmamunu | S. P. Balasubrahmanyam, P. Susheela, K. V. Mahadevan, Thyagaraja Swamy | C Minor | 6 | 5A | 82 BPM | ||
| Moodu Mullu | S. P. Balasubrahmanyam, S. P. Sailaja | A Minor | 4 | 8A | 87 BPM | ||
| Gunde Gutiki | Unnikrishnan, Sunitha | E Minor | 7 | 9A | 95 BPM | ||
| Bakara Bakara | Udit Narayan, Chitra | A♭ Major | 9 | 4B | 134 BPM | ||
| Rosa Rosa Rosa | M. M. Keeravaani, K. S. Chithra | B♭ Minor | 6 | 3A | 88 BPM | ||
| Gilli Gichchi | Rajesh, Ganga | F Minor | 7 | 4A | 112 BPM | ||
| Sri Ganadham | Purna Chander, S.Srinivas | A Major | 7 | 11B | 99 BPM | ||
| Ee Golico (From "Agni Paravatham") | K. Chakravarthy, Veturi Sundararama Murthy, S. P. Balasubrahmanyam, S. Janaki | A Major | 4 | 11B | 87 BPM | ||
| Nee Prashnalu | Mickey J. Meyer, S. P. Balasubrahmanyam, Sirivennela Sitarama Sastry | C Major | 5 | 8B | 88 BPM | ||
| Poolalo Thene Prema | Rajesh | A Minor | 6 | 8A | 115 BPM | ||
| Jummandi Nadam - Siri Siri Muvva / Soundtrack Version | P. Susheela, S. P. Balasubrahmanyam | F♯ Minor | 6 | 11A | 116 BPM | ||
| Naa Kallu Vaale | Tippu, Smitha, Sumangaly | G Major | 7 | 9B | 90 BPM | ||
| Chi Chi CHi | R. P. Patnaik, Usha, Lenina | G Minor | 8 | 6A | 160 BPM | ||
| Maataleraani | Nisha | B Minor | 6 | 10A | 101 BPM | ||
| Podagantimayya | Annamayya Keerthana, S. P. Balasubrahmanyam | C Major | 8 | 8B | 87 BPM | ||
| Paavurama Paavurama | S. Janaki, S. P. Balasubrahmanyam, Veturi, Bhuvana Chandra | G Minor | 3 | 6A | 84 BPM | ||
| Prementha Pani | R. P. Patnaik, Usha Munukutla | C Major | 8 | 8B | 67 BPM | ||
| Jim Jim Reyi | K. Chakravarthy, S. P. Balasubrahmanyam, P. Susheela, Acharya Atre | C Minor | 8 | 5A | 106 BPM | ||
| Yennallo Vechina | Ghantasala, S. P. Balasubrahmanyam | F Major | 9 | 7B | 137 BPM | ||
| Ragam | Deva, Thiruppathooran, T. M. Soundararajan, Sirkazhi G. Sivachidambaram | A Major | 6 | 11B | 128 BPM | ||
| Ettundi Abbai | Chitra, S. P. Balasubrahmanyam | B Major | 9 | 1B | 101 BPM | ||
| Priyuraali | Vandemataram Srinivas | G Minor | 8 | 6A | 84 BPM | ||
| Nemali Kannoda | Udit Narayan, K. S. Chithra | B Minor | 8 | 10A | 150 BPM |