noonday underground's ' "Where Have They Gone" was released on its scheduled release date, March 21, 2000. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Where Have They Gone's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Self Assembly (Bonus Track Version)". In this album, this song's track order is #9. Based on our statistics, Where Have They Gone's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Where Have They Gone by noonday underground having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Free Will | Chain and The Gang | G Major | 8 | 9B | 139 BPM | ||
| When I Fall | noonday underground | G Minor | 7 | 6A | 116 BPM | ||
| I've Got Reasons | Mary Jane Hooper | B♭ Minor | 6 | 3A | 95 BPM | ||
| Ulla Dulla | Traffik Island | A♭ Minor | 7 | 1A | 171 BPM | ||
| Where Flowers Grow | The Confederate Dead | C Major | 5 | 8B | 136 BPM | ||
| Go It Alone (Mujaji Remix) | noonday underground | B♭ Minor | 10 | 3A | 91 BPM | ||
| I Like What You Give | Nolan Porter | G Major | 7 | 9B | 124 BPM | ||
| Do You | GHOSTWOMAN | D Major | 9 | 10B | 91 BPM | ||
| Way You Walk | Papas Fritas | F♯ Minor | 4 | 11A | 120 BPM | ||
| Viva l'amour | Sabina Sciubba | D Major | 8 | 10B | 142 BPM | ||
| Meeting Morrison | David Menke, Lionel Limiñana | D Major | 9 | 10B | 120 BPM | ||
| Juice Box | Jackie Mittoo | C Major | 8 | 8B | 121 BPM | ||
| Piledriver | Dennis the Fox | G Minor | 8 | 6A | 97 BPM | ||
| Food For Thought | Mattiel | B Major | 7 | 1B | 117 BPM | ||
| Hi Babe | Ngozi Family, Paul Ngozi | A♭ Major | 7 | 4B | 123 BPM | ||
| Jim on the Move | Lizzy Mercier Descloux | F♯ Minor | 7 | 11A | 130 BPM | ||
| 7 AM | Jacqueline Taieb | C Major | 5 | 8B | 104 BPM | ||
| Territorial Call of the Female | BODEGA | C Major | 6 | 8B | 125 BPM | ||
| You Can't Be Funky | Bush Tetras | C Major | 8 | 8B | 128 BPM | ||
| Don't Die Just Yet | David Holmes | E Minor | 7 | 9A | 84 BPM | ||
| Trouble No More | Billy Childish, Dan Melchior | F Major | 6 | 7B | 135 BPM | ||
| Deathbed Confession | Chain and The Gang, Ian Svenonius | G Major | 4 | 9B | 87 BPM | ||
| 7ft Tall Post-Suicidal Feel Good Blues | Nancy | E Major | 9 | 12B | 110 BPM | ||
| Sure As Spring | La Luz | B Major | 9 | 1B | 92 BPM | ||
| Sirens | Midnight Sister | D♭ Major | 5 | 3B | 123 BPM |