Julius Fučík, Large Wind Orchestra Supraphon, Rudolf Urbanec's ' "The Florentine March, Op. 214" was released on its scheduled release date, April 1, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 7 in Fučík: Composer Julius Fučík by Julius Fučík, Rudolf Urbanec, Large Wind Orchestra Supraphon. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. Based on our statistics, The Florentine March, Op. 214's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The Florentine March, Op. 214 by Julius Fučík, Large Wind Orchestra Supraphon, Rudolf Urbanec is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | ||
| Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 5, Allegro in F-Sharp Minor | Johannes Brahms, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
| Procession of the Sardar from Caucasian Sketches, Op.10 - Instrumental | Mikhail Ippolitov-Ivanov, Eugene Ormandy, Philadelphia Orchestra | E Major | 4 | 12B | 107 BPM | ||
| Vjezd gladiátorů, Op. 68 | Julius Fučík, Prague Castle Guard and Police Wind Orchestra, Rudolf Rydval | A♭ Major | 4 | 4B | 118 BPM | ||
| 1812 Overture with Cannons | Harmony Haven Project | A♭ Major | 4 | 4B | 95 BPM | ||
| Unter der Admiralsflagge, Op. 82: Unter der Admiralsflagge, Op. 82 | Julius Fučík, Neeme Järvi, Royal Scottish National Orchestra | B♭ Major | 2 | 6B | 121 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | D Minor | 2 | 7A | 84 BPM | ||
| Suite from Gayane No. 3: V. Sabre Dance | Aram Khachaturian, Filharmonie Brno, Jiří Bělohlávek | C Major | 7 | 8B | 84 BPM | ||
| The Entertainer: A Ragtime Two-Step | Scott Joplin, Alexander Peskanov | C Major | 2 | 8B | 150 BPM | ||
| Can Can, Offenbach | Beethoven's Wig | E♭ Major | 4 | 5B | 80 BPM | ||
| Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
| CanCan Theme - Symphonic Version | The Large Sinfonietta Strings and Brass Orchestra, Olivier Hecho | D Major | 7 | 10B | 80 BPM | ||
| Suppé: Leichte Kavallerie: Ouvertüre | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM | ||
| Entry Of The Gladiators | Julius Fučík, Gothenburg Symphony Orchestra, Neeme Järvi | C Major | 6 | 8B | 117 BPM | ||
| Galop infernal (Arr. M. Sollini) | Jacques Offenbach, Marco Sollini | D Major | 3 | 10B | 147 BPM | ||
| Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
| Carmen, Opera Suite No. 1: VI. Avec la garde montante, Act 1 | London Festival Orchestra Alfred Scholz | A Major | 3 | 11B | 127 BPM | ||
| Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Minor | 4 | 3A | 109 BPM | ||
| Die Walküre, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | D♭ Major | 1 | 3B | 72 BPM | ||
| Gayaneh: Sabre Dance | Aram Khachaturian, Wiener Philharmoniker | C Major | 8 | 8B | 90 BPM | ||
| String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
| The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM | ||
| The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM |