On June 6, 2005, the song "Why Am I Here" was released by Circus Maximus. This song is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. There are a total of 9 in the song's album "The 1st Chapter". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Italy. In terms of popularity, Why Am I Here is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Why Am I Here by Circus Maximus having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blind My Eyes | Redemption | E Minor | 9 | 9A | 88 BPM | ||
| Why I Bleed | Darkwater | E♭ Major | 9 | 5B | 110 BPM | ||
| Goodbye Divinity | Sons Of Apollo | E Major | 10 | 12B | 126 BPM | ||
| King Of Whitewater | Seventh Wonder | B♭ Minor | 10 | 3A | 77 BPM | ||
| In the End | Andromeda | G Minor | 8 | 6A | 77 BPM | ||
| Sour Sigh | Myrath | D Minor | 6 | 7A | 153 BPM | ||
| Finest Hour | Borealis | B Minor | 10 | 10A | 110 BPM | ||
| Holes In The Sky | Vanden Plas | A♭ Major | 9 | 4B | 101 BPM | ||
| Out Of Subconscious | Teramaze | F Minor | 10 | 4A | 160 BPM | ||
| Lost in Oblivion | Sons Of Apollo | C Major | 10 | 8B | 131 BPM | ||
| Under Dark Skies | Ray Alder | D♭ Minor | 8 | 12A | 84 BPM | ||
| Earth That Was | Arjen Anthony Lucassen's Star One | C Major | 7 | 8B | 145 BPM | ||
| From the Rooftops | Fates Warning | E♭ Minor | 9 | 2A | 93 BPM | ||
| Divide & Conquer | Michael Romeo | A♭ Major | 10 | 4B | 146 BPM | ||
| Hold Back Tomorrow | Anubis Gate | B♭ Minor | 9 | 3A | 110 BPM | ||
| Her Halo | Teramaze | D Minor | 9 | 7A | 160 BPM | ||
| Victims | Shadow Gallery | D Minor | 7 | 7A | 148 BPM | ||
| King of Empty Promises | Vanishing Point | F Major | 10 | 7B | 176 BPM | ||
| Burn the Sun | Ark | F♯ Major | 10 | 2B | 118 BPM | ||
| Take It Easy | A.C.T | D Minor | 8 | 7A | 144 BPM | ||
| Tattoos of the Tongue | PRENDE 333 | D Minor | 6 | 7A | 153 BPM | ||
| The Source | Paralydium | A Major | 9 | 11B | 124 BPM | ||
| Something Very Strange | Spock's Beard | C Major | 9 | 8B | 100 BPM | ||
| Where | Lisaonsley | G Minor | 7 | 6A | 122 BPM | ||
| Closer | Kingcrow | A♭ Minor | 7 | 1A | 152 BPM |